tag:blogger.com,1999:blog-3188700731713860207.post5362416770581709838..comments2024-02-19T10:13:10.031-08:00Comments on Painter's Process - Randall David Tipton: CambriaRandall David Tiptonhttp://www.blogger.com/profile/10842621412363241927noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-3188700731713860207.post-51633295750886967182013-04-10T16:05:16.955-07:002013-04-10T16:05:16.955-07:00Exactly Maureen!Exactly Maureen!Randall David Tiptonhttps://www.blogger.com/profile/10842621412363241927noreply@blogger.comtag:blogger.com,1999:blog-3188700731713860207.post-26033310048662199262013-04-10T15:39:32.891-07:002013-04-10T15:39:32.891-07:00When putting the camera between the subject and th...When putting the camera between the subject and the viewer, there's not only the loss on intimacy that comes with close inspection of details; one fails to commit the subject to the mind's eye and memory. The subject becomes the camera's and not one's own.<br /><br />I like the idea of drawing the subject first, because that's mark-making, sometimes intuitive, sometimes less so, but it comes out of the act of seeing that then is translated through the hand; again, achieving a kind of intimacy with subject that otherwise would not exist.<br />Maureenhttps://www.blogger.com/profile/13290283101378474845noreply@blogger.com