Showing posts with label Nicholas Wilton. Show all posts
Showing posts with label Nicholas Wilton. Show all posts

Thursday, March 14, 2019

some winter landscapes

                                             Fanno Creek in Winter oil on canvas 40x30


 For many, this winter has been rough. The weather more extreme, our government more depressing. Everyone knew how the shutdown would end yet it was agony for 35 days.
Finally though there are signs of life! Quite tardy here however, it`s not unusual for things to start stirring in late January.
Now I take my responsibility as the local head cheerleader for winter very seriously but even I fatigued and wished it weren`t so damn cold.


                                                 Almost Snowing oil on canvas 20x20


 For days it became common to glance outside and see snowflakes drifting down. It is not welcomed in the cities of the Pacific Northwest, in fact it causes panic. There have been raids on the grocery stores by anxious citizens, many cancelled school days and weeks long power outages in the countryside. A mess, but the forecast for this weekend is 70 degrees! Yes!



                                                    Bryant Woods Walk oil on panel 12x12


 This one was more like a long doodle. It started with more realism but as I randomly amped up the color, my trees became more stylized. Yet it still has the spirit of my beloved park.



                                                     Songbird by Nicholas Wilton


 Isn`t that magic? If you don`t know Nicholas Wilton, it`s time you did. He is a mensch extraordinaire! His work is always interesting and he`s a tireless, generous educator and mentor.
He interviews the great painter Krista Harris in this video. It is a remarkable conversation full of insights into the painting process and completely absent of ego. Listening to the two of them talk about their [abstract] work, it made perfect sense why I find painting non representationally so incredibly difficult. If you paint, this is well worth your time.


                                           Everyone we have ever Loved by Krista Harris





 You`re looking at a game changer here. Among the many things I learned at my workshop was the revelation that some Q-tips come with points! They are used for makeup apparently and are overpriced but they do fine job of carving trees out of wet paint. So much of my technique involves removing paint creatively. Blotting is a current field of experimentation.


I was introduced to Howard Hodgkin 35 years ago and I didn`t take to him immediately. The work was so simple and the painted frames seemed gimmicky. Yet I wanted to keep looking and in time I  became deeply affectionate toward his work. He`s one of a handful of artists whose paintings suggests an entirely new and separate reality. For me. This other world is one of pure sensation. Because of the era he was born into, this gay man, like millions of others, married in order to have a socially legitimate life. Such a common tragedy for his generation. But look at his stuff!;










 Though I`m not directly influenced by him as an artist, as a human being I`m so grateful he lived and gave the world such intensely personal images. He made the heroes journey.




                                                              oil on canvas 20x16


 This did not succeed and I threw it out but I am returning to this island in my next painting. It lies close to shore but away from homes in a quiet stretch of the Willamette River. I`ve tried three times now to get something of the atmosphere of its dark oak forests. I will prevail eventually.









online exhibition at the Marcia Burtt Gallery



work for sale in my studio




Thursday, May 26, 2016

Camassia Forest - Winter Lagoon

                                                    Camassia Forest oil on canvas 30x30


                                                        Winter Lagoon oil on canvas 30x30


 These may be the last two paintings I finish for my show in July at the Coos Art Museum. Now comes the tedious task of painting the edges of all these paintings, attaching hardware and then wrapping them in plastic for transport. That shouldn`t take a whole month so I will probably be painting again by mid June. I`m nearly certain these will be my last oil paintings. I need a faster drying time! What`s my hurry? Well, the paintings evolve through trial and error and I think that process could be expedited with acrylics. I`m not a patient guy. The texture is so different however, I`m sure I`ll have to learn some new techniques. I already use acrylics in combination with watercolor but those paintings are on paper and larger canvases and panels are what I have in mind. Golden is the brand I`ve been using because it`s American made but I`m open to suggestion. I would love to find an extremely dense white. On the order of Gamblin`s Radiant White oil paint. My new grail.


                                                                 Nicholas Wilton


 Nicholas Wilton writes an extremely pertinent blog on painting and careers. He is honest, humble and generous with his insights. In a recent video on 'style' and how to develop one, he offers a new way to think of it. When I`ve talked about making one`s work more personal I`ve approached it through subject matter. I think he has a better way, one that comes from the process itself. His writing and videos are almost a public service, they`re concise and deal with many of the struggles painters face daily.



My latest I pad painting 'Undergrowth'.


                                                  The Earth of Demeter by Chi Young Sung


 I discovered this extravagant botanical painting the other day on Pinterest. The artist is Korean and she works with mythical themes in vibrant, symbolic color. This painting has the kinetic energy and high spirits I love seeing in landscapes.


work for sale in my studio