Showing posts with label abstraction. Show all posts
Showing posts with label abstraction. Show all posts

Sunday, March 26, 2017

Delayed Pollination

                                         Delayed Pollination watermedia on Terraskin 9.5x13.5


 When I came into the studio yesterday for the first time since January, I knew I wanted to paint something yellow, with small, short marks. I was thinking hieroglyphics in orderly rows.
Well nothing is tidy in my world so soon enough the characters started to move. A random dance, like the flight of bees. Something entomological  was going on.
Even though I`ve been indoors for weeks and love the rains of winter, something deep within me was craving light and warmth. To everything there is a season.
It`s been a long difficult winter in the Northwest and people seem tense. For the good of the community, I`m praying for some sunshine.
And hoping beyond hope that I really am on the mend this time. No more surprises!



                                                     Night Pollinators watermedia on paper 8x8


 This drawing from a couple of years ago has the same bumbling, drifting intention.



                                                          watermdeia on paper 12x9


 Another yellow painting, this one from the late 90`s. The work I was doing then attempted to fuse some representational imagery with an abstract sense of space. There were few successes unfortunately.

Friday, June 17, 2016

A Day on the Coast - How are we now?

                                             A Day on the Coast watermedia on Yupo 26x20


 I`m having a fine time playing with abstraction and bold color and trying to determine if I can work this way with any dedication. Over time, to create a different body of work than the landscapes. Though some think I`m already an abstract painter, I find a non-objective intention quite uncomfortable. Here and there I can hit it by luck but in the past, I`ve eventually been drawn back to the natural world where I find the most meaning. As I paint and look for an opening, the work of my heroes encourages me. Emulating is a way to learn. I keep thinking of Anne Lamott`s advice to new writers, "write the books you want to read". Paint what I want to see. That`s enough to go on!
With a big show complete and ready for delivery, this is the right time for questions.


                                                Alders through a Clearing oil on canvas 12x9


 I came across this the other day from 2010. Since the studio flood and my decision to move in the fall, the disorder has become permanent until I have a new space. I`m never sure what I`ll find when I move a stack of paintings. This piece has always been a favorite for an odd redemptive quality I find in it.


 So it`s been almost a week. I`m sorry to say my initial reaction was just a grim disgust and acceptance. If the murder of 20 elementary school kids didn`t galvanize our country to change, why would this? When I woke Sunday morning and read the headline on my phone, Donald Trump was already screaming about Muslims and terrorism. Without knowing any details I went back to sleep sure that this wasn`t a terrorist attack. Later in the week I`d rethink that. It was terrorism for sure but not toward our country, it was for homosexuals.
I think it`s time to resurrect that word, put the sex back into view. Unapologetically. Because that`s what this barbarism was about.
I`ll let John Sundholm and the Redneck Liberal express the rage that rose up in me. Having grown up in the church, I have a trigger reflex for fury at the historic and continuing Christian persecution of my kind. But I want to talk about sex.
 For far too long, religions all over the world have shown a profound disrespect for the power and importance of sex. In and of itself! Desire is the engine of evolution, the spark that eventually made an ape, human. The impulse is strongest in the young by biological imperative, yet they face ridiculous impediments in communities of faith. Unemployed young Arab men with zero prospects for arranged marriage [the only possibility for sexual expression] join Isis or fly planes into buildings. Teenagers leave Bible study early in a desperate attempt to find privacy and intimacy, and often produce a hope destroying pregnancy. Catholic men enter the celibate priesthood to bury their shameful urges and some become warped by the experience and do terrible psychosexual damage to children. Unstable young men inhibited by their culture`s ancient biases furtively explore their same sex attraction but enter into unhappy marriages then massacre dozens in their frustration. In 1994 the nominee for Surgeon General, Jocelyn Elders, was forced to withdraw simply because she said masturbation was healthy and normal and an excellent way to avoid risky sex. Let me tell you, that crazy prohibition is many a teenager`s first egregious encounter with the hypocrisy of their church and it often facilitates the slow dawning of reason.
 Now a nightclub is not a temple but it can be a sacred space nonetheless. Even in this era of gay marriage and surprising acceptance, the club is still an important part of queer culture. More for celebration now than for meeting places as it once was. To finally be surrounded by those just like you is a joyous experience. Kids, on their own at last, will dance and flirt and party and hookup. This is good! Learning about your young body and its desires is critical to mental health. Safe, consensual, respectful sexual relations when we are young can prevent a whole lot of unhappiness later when we are ready to settle. And in the past, the gay bar was often the only safe place in a homosexual`s life. That  aura of sanctuary remains and its violation early last Sunday morning [for hours] is most upsetting to me. This is the heart of terrorism.
 What can we do? We can explore and accept the scientific facts being discovered about human sexuality. We can take a long hard look at the taboos and fears surrounding sex and ask who do these serve? If we have them in our lives, we can insist the religious institutions talk about sexuality with humility and openness and toss out the horrific interpretations of scripture that vilify people because of their sexual identities. Or find new sources of spiritual communion. My Mom was a lifelong Southern Baptist but in her early 80`s she finally had enough. She left the church after defending me, my homosexuality, from cruel remarks she encountered in Bible study. Be like my Mom, confront homophobia wherever you find it. That act of courage does enormous good.
 Shared suffering is important in a society. My blogger friend Elizabeth Corsa has a son, a resident doctor who was on duty in the ER last Saturday. His were the bloody shoes in the photo that went viral this week. Listen to him now. It`s heartbreaking watching his face remember.
It was important to me to read all the names and look into the eyes of the murdered. Such a small thing helped me feel the loss, it was the least I could do.
The apology and expression of love from the white, Mormon, Republican Lt. Gov. of Utah made me weep. This is what gay people crave, an apology.
The orthodox Jews that went to the African American gay bar last Monday night to mourn and pray moved me as well. When all the passengers on a Jet Blue flight to Orlando paid their respect to the lone grandmother flying in for her grandson`s funeral, I felt hope. All week these symbolic gestures kept coming and they were healing indeed. Being gay it`s hard to tell, but I think I felt the country shift. There will finally be votes on modest gun reforms in the Senate on Monday. Lets encourage them to do the right thing.
Thank you for listening.





      There`s real courage for you, circa 1940. From the Bob Bragman collection


work for sale in my studio



Friday, December 12, 2014

More Abstractions? + March show









  As yet untitled [Theodore, I need your help!], each 12x12,  oil on cradled panel. Randy was on a roll!
  It was a great week until the winds wreaked havoc last night! Yesterday`s wild weather pummeled the whole west coast. It was predicted but seemed impossible at noon. I went for a walk early to avoid it. We`ve had lots of rain and I knew the Tualatin River would be near flood stage.
  With the winter silt, the river turns a gorgeous murky greenish brown. That color is a splendid foil for any remaining fall color.
















   I`ve wanted to work with this theme again since doing these small pieces a couple of years ago;








   During the drama last night, we like many others, lost power. As I laid on the bed reading my I-phone in the dark, a memory of a Mary Oliver poem featuring a wild night surfaced.  I found it today;




  She did it! My niece Mackenzie now owns a piece of my work on her skin! Design by RDT, execution by Ian of Hopeless Ink!





  Finally, I will be having a show with the renowned Tom Cramer in March, 2015! He is probably best known for his art cars;





  Since that notoriety, he`s gone on to create intricate and beautiful  bas-relief sculptures. Here is a current piece;





  Tom will also include some new paintings in this show.
  The exhibition is entitled 'Environments', and will be in the Museum 510, a space operated by the Arts Council of Lake Oswego.

 Tomorrow, Sat. Dec. 13, I`ll be demonstrating my oil painting technique in my studio 10-11:30 am. Come by if you`re curious!
5373 Lakeview Blvd.
Lake Oswego OR
97035

[503-380-4731]

work for sale in my studio







Saturday, December 6, 2014

Non Objectives-Coos Art Museum-Big Trees!

                                   oil on cradled panel 12x12

  Although American Abstract Expressionism was an early, exciting discovery, I`ve not done much truly 'non objective' work, painting that has no subject. Aside from portraiture, this is the most difficult painting of all. This may seem counter intuitive, without the constraints of a 'plan', what`s the big deal? sounds like freedom! Well I need some direction most of the time. This usually comes from my experiences outdoors. So my efforts in pure abstraction have been of short duration, but I try from time to time.
  The painting above had two previous incarnations you will see below. Neither were really bad but after a while I realized I didn`t want to look at them. This is my criteria about what can live or die  in my studio. As I get older, what I leave behind is becoming more of a concern. I want my heirs to receive things of beauty and sincerity. If they also have a market value, that would be terrific. So if I don`t want to see them again, it`s time for them to go.
  Many painters would agree there is something deeply satisfying in painting over a previous work. It feels like thrift, revenge and a clever head start. Often something good will happen.
  The untitled painting above captured my attention to the point I can`t stop looking at it. I emailed a photo of it to myself so I could look at it on my cellphone in the bathroom. Vain? of course but this is truly a measure of quality, at least personally.
  How simple, do I want to look at it?









  Here are some abstract painters I`ve discovered recently that I love: Wendy McWilliams who also has a way with words, her titles are inspired! Alexander Kroll is doing strong yet lyrical work and Jeri Ledbetter`s nervous marks on canvas have a raw emotionality I find moving. Check them out.

 I will be having a solo show at the Coos Art Museum July 9 - Sept. 24, 2016!

  Yesterday I was in my old neighborhood in Portland and went for a walk in Laurelhurst Park. This is a place I visited nearly every day for 11 years. It has a dozen or so enormous London Plane Trees I recognized as old friends.
'Trees' doesn`t do them justice, they`re more like 'beings', so magnificent and expressive!









  Baroque music seems especially suited to winter. Here is a piece from Bach`s Cantata #82 that will break your heart. I heard it on NPR a couple of years ago and it stopped me cold. It`s sung by countertenor Andreas Scholl, a dude with all parts intact. Bach`s love of God is absolutely palpable! This is evangelism at its best and most convincing. Scroll down within this link.


  "The person who says it cannot be done should not interrupt the person doing it."

updated work for sale in my studio 



studio oil painting demonstration Dec. 13, 10-11:30. Anyone is welcome!
5373 Lakeview Blvd
Lake Oswego OR
97035





Saturday, May 17, 2014

Evening

                                                          oil on canvas 24x18 1985

In the mid 80`s I did a big body of abstract work using horizontal divisions within the painting. Not real original but sometimes I got something worthy. This was a favorite and seemed to have the feel of a summer dusk.


work for sale in my studio

Friday, January 17, 2014

Over Utah + Jonathan Apgar

                                                  Over Utah watermedia on paper 48x36
                                                                             1990


 In 1990 I flew from my home in New Mexico to the Northwest for a visit. I had a pocket sketchbook with me and did the drawing  somewhere over Utah. The juxtaposition of the geometry in the agriculture against the organic eroding landscape, fascinated me. The painting was one of many large watercolors I did in Chimayo NM.
 I`m posting this because I`ve been knee deep in my annual website update. For some reason this is never simple and takes way too much time. And I`m having old slide images transferred to CD so I can view them again. To my dismay, I found out many were already losing color though they had been stored properly. Listen up painters! if you want a lasting record of older work, get those slides  transferred as soon as you have time to sort through them. I had no idea they would deteriorate so quickly. Picture Perfect in the John`s Landing neighborhood of Portland did a quick, quality job for me at a great price.
 Last weekend I stumbled on the work of Jonathan Apgar on Pinterest and it stunned me. Although completely abstract and painterly, they seem to have spatial qualities we see in the landscape with divisions created by casual patterns and biomorphic shapes. Often the paintings are dense with strokes in odd and original colors. There is a haunting character to these massive works, take a look. On his generous website, he even shows a tutorial on building stretcher bars! I asked him if I could post some of his images and he was kind to agree.


                                                    Two Heads Black Stripes oil 94x69
                                                                  Jonathan Apgar
                                                 Myth of Redemptive Violence oil 96x84
                                                                   Jonathan Apgar
                                                                Cabal oil 114x84
                                                                 Jonathan Apgar


available work in the studio


Friday, October 26, 2012

Untitled [Greens]

There is nothing as sad as a big bin of pumpkins where the watermelons recently were.
watermedia on paper 6"x8"