On second thought

Re-dos. If I live with a painting for a while, maybe years, it will eat at me if something is wrong. I went back into these and made them better. Click below for the original version.
Geothermal Pool oil on canvas 30x48
Estuary Island oil on canvas 30x24
North Shore oil on canvas 24x24

Iron Mountain Fog 2

In my studio, after being hopelessly stuck trying to paint the rugged Waimea Canyon in Kauai, I surrendered and came back home to Iron Mountain, where I`ve walked a hundred times, not just once.
This past January I realized I had been running for 40 years. My brother Tom said it was fun so I gave it a try. In hand me down cowboy boots, I would run to the mailbox a half mile away on a dirt road to the farm where I was living. Being 19, I got into shape quickly. It has been the most reliable companion helping me through serious depression, addiction, near poverty*, broken hearts, and deep grief. It has always given me hope.
 I ran yesterday in rainclouds, literally, and it was so beautiful it made me grateful for my life. What a wonderful experience it is to be thankful and not yearning as usual. Age and loss seem to be coaxing me to let go and accept the deal; no death, no life, it`s that simple. Take every day for the gift it is.

oil on cradled panel 20"x20"

*self inflicted, I could have always worked more but I wanted to paint. Completely different from true poverty


work in my studio

Canemah Rock

Between deluges I painted on location the other day in historic Canemah. This is the place where Native Americans and later, settlers got out of their canoes and boats and walked them around the falls you see in the photo. We painted near the cemetery in an open meadow on a basalt bluff overlooking the Willamette River. I was almost done with the rock when it started to mist. Needing to work fast, I got out some ink and blacked out the background and squirted some liquid white acrylic in the foreground to simplify it and called the session over.
watermedia on paper 9"x12"


work in my studio

Christmas Fog

 Most Northwesterners would strongly disagree, but I think winter is too brief. We have a little autumn color into the new year and by late February, swelling green buds. The stone dead dormancy is over in a moment. This painting comes from my walks on Cook`s Butte  here in Lake Oswego. It`s only a few hundred feet high but in winter it`s often in the clouds.
 The Grand Opening of The Gallery at the Watershed in Eugene is Saturday June 1. The architecture alone is worth a visit, the art is 'real', and in four hours, who knows what will happen.
 I will be part of the Portland Open Studios the second and third weekends in October. Please come visit.
 A lovely woman from China bought my mother`s painting!
 Draw and paint with me in my workshop during Create Eugene.

oil on canvas 24"x18"

work in my studio
[nice new Flickr format]

Diablo Canyon

When I teach in Eugene in August, we`re going to sketch on location then paint from those drawings back at the gallery. This is how I always worked until digital photography came into practice. I would carry tiny sketchbooks with me and do quick notations of the landscape which became paintings, sometimes years later. I`m convinced I was able to do this with so much time having elapsed because of the mental imprint made when I drew the scene. The character of the place still came through.


available work in my studio

Flood Stage 1

 Just like it sounds, a study is usually a 'practice' for a larger painting. Theoretically, this is why I do them. Often, I lose the impulse after painting the smaller piece and the big one never gets painted. Here I did it. This is based on a 6x6 panel I did last December.
 I will be teaching a workshop in Landscape Painting from Plein Air Drawings, as part of the Create Eugene extravaganza Aug. 31. The cost is $100 and if you`re interested, please contact The Gallery at the Watershed. In the workshop I`ll harangue everyone, including myself, about the importance of drawing to painting.
 The Gallery at the Watershed has been open since April but the grand opening is June 1, 4-8 pm. Please come by if you are able. The owner, Amy Isler Gibson, is herself a work of art and her passion for painting is infectious. I`m so happy to have her representing my work!
oil on canvas 24"x24"


available work

Late Winter-Minto Brown

Minto Brown Island nature preserve in Salem Oregon has been the source of many of my paintings.  It`s swampy, funky beauty always satisfies, I just wish it were closer.
I bet if I painted in a duck making a water landing, I could sell it.
oil on canvas 18"x36"



updated available work
[new additions on the bottom]