Sunday, August 17, 2014

The New Spring Forest

                                        watercolor on Yupo 24x18

He said "put it away and leave it alone!"
I thought, if I`m lucky enough to be advised by Bob Lafond, I should do what he says! So I did, until the past week.
I`m not sure whether my intention is coloring my judgement, but it looks to me like the budding/about to burst forests I was so inspired by last Spring during my month on the coast.

I`ll be taking part in the Portland Open Studios again this year. Please come introduce yourself. Like last year, I will be demonstrating every day at noon. Oct. 11 and 12 & Oct. 18 and 19

I will also be painting on location at the Villa Catalana Cellars in Oregon City next Sat. evening Aug. 23 as part of the entertainment. There will be other artists as well plus a jazz trio and catered food all in a huge gorgeous garden. Talk to me while I paint!
Tickets are $10.


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Thursday, August 14, 2014

Glacial Water + Suicide

                                      watercolor on Yupo 20x26

Another painting from my trip to Mt. Rainier.
The water coursing off the mountain is mostly melted glacier which gives it a milky look. The opacity comes from tiny particles of ground rock shaved off by the weight of the ice sliding over it. We were in a vast canyon carpeted with stones. A modest stream flowed down and crisscrossed the boulder covered floor. The mighty glacier that once filled this chasm had retreated upstream beyond our view. But it was easy to imagine.

Sadly, though he could not save his own life, Robin Williams may have saved others. I`m so hoping this tragedy will be a watershed moment in our culture and a serious, frank discussion about depression and suicide will ensue. That there is still so much stigma and taboo with these issues is appalling and pointless. We lose so many that may have been reached.
Depression was a crippling reality for me when I was young, but I was lucky to live in an age when promising research and effective therapies evolved and became available. I have been a grateful user of anti-depressants for decades. Though I never considered suicide myself, I know some who have. Each of them radiated pain like a furnace.
The subject of suicide so so utterly sad we choose not to think of it. I think that is a terrible mistake. If we are informed and understand the conditions for such an act, we might be of help.
 Our local NPR station carries Krista Tippet`s wonderful show on the many varieties of spirituality called "On Being". One of her guests recently was the poet and philosopher, Jennifer Michael Hecht, who has written the book, "Stay: a History of Suicide and the Philosophies Against it". In that one hour of radio I learned so much, including this important fact; the actual act of suicide is very impulsive.
Beyond the facts around suicide, the point of her argument is that even leaving God out of the considerations, there are instinctual and intellectual reasons to reject it. Moreover we need honest commitments with each other where we promise to stay. We stay for each other. No one leaves early. We decide to stay, if not for ourselves in this moment, but for our future selves and for those we care about. If that pact is real, I think it will follow that we will have deeper bonds and more accurate insight into the lives of others. We might be able to help one another to stay.


Saturday, August 9, 2014

Trout Water + Lotus + Garden Party!

                                                    watermedia on paper 14x11"

I was going to dangle some roots into this water and show the river bank but it was active enough.

                                                    watermedia on paper 6x6"

                                                   watermedia on paper 12x9"

My first plein air experience this summer was with Ruth last Wednesday. We were scoping out Rare Plants Research, a nursery near her home. The owner, Burl Mostul, was seeking artists to paint on location for a special event, open to the public, later this month. To be part of the entertainment so to speak.
I had done something like this for an AIDS benefit and I enjoyed it.
So on a perfect summer day, we sat in the shade and painted the lotus and lilies in one of the ponds. Time slows down when painting on site and as often as I`m out and about in the forests, I`m rarely still. It was a sweet afternoon and we agreed to take part in the Garden Party. This nursery is remarkable for its unusual collections. There were potted 'trees'  from Madagascar lining a drive that were straight out of science fiction, Taro plants as black as night, variegated bananas, a Romanesque house and pergola, multiple greenhouses alive with odd specimens and lush grounds surrounding a vineyard. It`s a very unlikely, amazing operation in rural Oregon City! I had no idea.
Here is the invitation and link to purchase tickets, it`s going to be an interesting fun evening;



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Thursday, August 7, 2014

Logjam

                                        watermedia on Yupo 26x20"

This was an unusual challenge.
Driving down Mt. Rainier a couple of weeks ago, I could see the road curve over a bridge up ahead. As I crossed it, I glanced upstream to briefly see a massive logjam wedged up into a chasm with a waterfall gushing out the bottom. My view couldn`t have been a whole second, but I knew I had just seen a spectacle, a scene of terrible beauty. The force of that flood dragging all those trees into this impasse must have been truly awesome. This is not the nature I see on my nice walks in the forest. This was brutal and impersonal. Such views are common in Alaska but down here it takes a National Park or somewhere remote to see this kind of evidence of natural violence.
It burned into my memory. Not the facts but the feeling of 'wildness'. That`s what I had to go by, having no recollection of of shapes, colors or scale. In a sense I paint like this all the time. I move paint around until it looks like how the place felt. But I usually have a photo or drawing to help build the scaffold. With this it was just a fleeting glimpse of hundreds of fallen trees straining against the mountain. I began hoping to execute a true watercolor, but quickly saw I would be doing major revisions all along the way so out came the acrylics. It was a battle.


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Sunday, August 3, 2014

Iron Mt. Fog 4

                                  Iron Mt. Fog 4 oil on panel 20x20"

Although I liked the underpainting, the end result began to bother me;

                                                Iron Mt. Spring

                                                  underpainting

It was sitting around the studio and those lurid mint greens started to really annoy me. So I put a translucent white wash over the whole thing. This is my last resort strategy if the idea and composition had some true merit and I want to keep going. Then I began again. This time the 'corrective' whitish glaze suggested a kind of ghostliness that appealed to me and I went with it. It`s not at all 'accurate' but I can say definitively, it brings me to that cool, foggy trail in November.

Check out the German painter Karl Klingbiel`s work. Once again, because of Pinterest, I discovered a formidable artist I probably would never have heard of. He extends abstract expressionism in a fresh, personal direction using clear, vivid color and an active engagement with negative space. His work is staggering!


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Thursday, July 31, 2014

Sunsubiro Nebulo

                                             oil on panel 20x20"

Doesn`t the Esperanto "Sunsubiro Nebulo", sound better than 'sunset fog'? I think so. What I`m trying to figure out is, is it subtle or flat out dull? I suspect this may be a question common to Tonalist painters. On the last night of my stay in Gleneden Beach a couple of weeks ago, the fog finally rolled in. The view of these stunted and dead trees looked starkly poignant 'framed' through the bathroom window. I thought, I think I have to paint those, so I took a photo after my shower. Now I`ve painted them but I`m not sure I accept this as final though there`s nothing more I want to do.


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Sunday, July 27, 2014

Full Moon - Mt. Rainier

                                                            oil on canvas 24x18 1998

                                                        watermedia on paper 7x4 1996

 I traveled to Mt. Rainier last Thurs. in an odd mist. It`s July which is usually bone dry.
The national park is popular so I had made reservations months ago fully expecting a visible volcano in summer. Arriving in a cloud was beautiful but I was somewhat concerned we wouldn`t even see our destination.
The next day was crystalline clear and it was startling to awake on the high shoulder of the beast with the peak looming right above the hotel. Nice!
My favorite part though, was an old growth forest called "Grove of the Patriarchs". It was breathtaking as many of the trees were over a 1000 years old!  It`s humbling to stand next to a tree whose base would not fit in my living room.
We drove around the whole massive mountain, visited old friends from New Mexico and took a  delicious walk at the Nisqually Wildlife Refuge. The air was moving and the salt scent from the Sound with the warm sun produced a flood of memories of being roasted on the beach while being cooled by the sweet breezes coming off the water.







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