Tuesday, April 22, 2014

Weak Winter Light

                                                               oil on Yupo 20x26

From last December.
Beyond the cold, a winter walk is different. With a sharp austere beauty, embracing the season directly by being outdoors, is the best way to counter the dampness and darkness. Works for me. I`m out and about in nature much more in winter.


available work in my studio

Friday, April 18, 2014

Tangerines and Tulips - class demo

                                                     mixed watermedia on paper 24x18






My demonstration from the class today.
Even though I`m not a still life guy, I wanted to work from something directly and show that the challenge was fun and rewarding. It was. With 16 sets of eyes watching and with constant, engaging conversation, nonetheless, it coalesced into something recognizable. It was an interactive experience with suggestions offered and acted upon. Painting always has a miraculous quality when it goes right but it seems especially amazing when this happens in a teaching situation. Yet I hear this is actually common. Something is afoot!


updated available work in the studio


Wednesday, April 16, 2014

Painting from Life + Workshop

                                                     "Quince" watermedia on Yupo 12x9

I`m teaching this Friday and I`ve asked everyone to bring in something to paint from direct observation. It being April, I suspect we`ll all show up with flowers. I thought I should practice myself first, so I cut off a branch of the quince in my front yard and stared at it hard. This used to be commonplace but now that everyone has a camera in their pocket, it`s easier to work from a photo. I do it all the time. But something is missed in our hurry and efficiency. Looking closely at something and recording it with your own hand is an intimate act. It`s worthy just for the experience yet there is also the effect on memory it produces. That is what will serve a painter when painting. You will recognize it when you get it right.

I`ll be teaching in Lincoln City July 19 and 20.


updated available work



Friday, April 11, 2014

The Flooded Field

                                                                oil on canvas 40x30

From a Spring day I spent on Sauvie Island several years ago. Spring is beautiful everywhere, but in the wet Northwest, when it finally warms up some, it is explosive! Each day is noticeably different from the last and the unfurling gets faster with a real momentum to it. By late May there is the most extravagant lushness imaginable. It`s luxurious, I only wish it didn`t happen so quickly.


available work in my studio [updated]

Wednesday, April 9, 2014

Sitka Forest

                                                         watermedia on Yupo 10x20

This was wrestled into existence. Before packing up the studio at the Sitka Center, I was working on this last watercolor but didn`t finish. Back home, I couldn`t complete it successfully with my initial strategy so I started scraping, repainting, flooding with stains, more scraping, over painting previous 'good ideas' and eventually it became this fatigued abstract forest.  It just so happens to be a close representation of what the experience of being there was like.


Sitka Center residency deadline April 18

available work in my studio

Sunday, April 6, 2014

Chimayo Spring

                                                           watercolor on paper 22x15

Nice to be home again, nice to be working in my cozy man-cave/studio.
This is from the late 80`s, one of hundreds of images I had transferred from slides to DVD this winter. To my shock, a great many of them I have no memory of. I know what time of my life they were from, where I was living and by the execution, what my motives were but actual pieces, like this one, no recall. This was a prosperous time in my life, between recessions, and I think lots of stuff went out the door quickly. Anyway, I kind of like it. It will take me awhile to digest my month at Sitka, meanwhile here is a hopeful painting of spring for my friends in the East.


some available work

Thursday, April 3, 2014

Estuary Overlook - Goodbye Sitka!

                                                                 oil on panel 20x20

Tomorrow I leave. What a dreamy intense time it`s been. These things are not vacations. With everything set up to assist you in your work, the artist is faced with himself. It`s somewhat daunting because the institution has said in effect they believe in you. You want to do right by that faith as well as explore your imagination and express your vision.
I took my last hike out onto Cascade Head yesterday and took a few photos including my first selfies! I was here! On the trail I startled a herd of elk. This inattention to their surroundings is how they end up tasty elk burgers.





some available work