Sunday, April 4, 2021

The Coast, vaccine and Easter

                                       Dune and Sky watercolor on Yupo 26x20 inches, 66x51 cm


 It was just a proposal, nothing definite and certainly not a commission. Would I like to paint a coastal image for a commemorative poster? That`s my third attempt above and it`s from a 20 year old sketch. Below are the other two;


                                                       watercolor on Yupo 28x20 inches


                                                North Coast watercolor on Yupo 26x20 inches


 I`m not sure they are poster-grade images but I do know that I am finished with trying. If the impulse to paint an image doesn`t originate with me first, it`s hard to get at, to find an emotional core to guide me. This painting below I actually think would make a good poster and it was done last year;


                                           Coastal Nocturne watercolor on Yupo 26x20 inches



 My second shot of the vaccine was last week and I was elated the whole day. Freedom from fear! Yet it didn`t last, a celebration involves others. Until the country moves past this pandemic, the joy will still be  measured, hopeful and anticipatory. 
People I love, on the right and left politically, are refusing to be vaccinated. This is utterly shocking. Are they reading what Covid-19 can do to a person?? After what the world has endured the past year, it`s clear that this decision is political.  Also tragically misguided. Without mass vaccinations, the virus continues to mutate and elude its elimination. Who wants this to continue? Not a future for me. These holdouts will have to arrive at a different attitude in their own time. Persuasion isn`t possible yet. I hardly know how to handle my disappointment and anger. 


                                                           Peaches by Donna Thibodeau


The Brush and Palette group of Michigan painters asked me to speak to them in a Zoom presentation. I agreed though I wanted them to ask me questions. I have no agenda and am such a reluctant teacher because the role itself feels inappropriate. So I sent them links to interviews and my website and when the meeting commenced, they were prepared. Almost every educational situation I`ve led has focused on technical issues. Those are not unimportant but they are far less relevant to what an artist is 'saying'. I don`t know how to guide anybody through that question and yet it is the most important part of being a painter. Why do you want to do it? What compels you? Annie Lamott`s advice to writers is to write the books they want to read. What paintings do I want to see? It`s a simple but profound question. I do believe we all have a birthright to creativity. Yet even the most casual hobbyist is going to paint something. What will it be?
 The group asked me to judge a show of their work and the first prize winner was Donna Thibodeau`s Peaches [above]. I chose it for its clarity. From idea through execution, she succeeded in a forthright simple composition using clear, gorgeous color.


                                                          watermedia on Yupo 26x20 inches


                                                Reliquary 2 watermedia on Yupo 26x20 inches


                                            Untitled yellow watercolor on Yupo 26x20 inches


 My abstract efforts are still all over the map but I am making progress. They aren`t taking so long, just a couple of days. I haven`t found a language of my own yet but I`m closer. Concentrating my efforts to watermedia on the plastic paper Yupo has also helped along the evolution.

My buddy Jo Reimer sent out a notice about a new line of super opaque acrylics made by Golden. I`ve wanted a white as dense as oil paint. A holy grail of sorts. As I move away from oil painting the one thing I haven`t been able to replicate in acrylic is a spontaneous gestural mark that dries as it is painted, as it is wanted. A gesture is impossible to repeat if it dries looking transparent or equivocal. This drove me to oils in the first place back in 1984. I need my brushstrokes to be stable. In oil painting this is not a problem.
So anyway, I went to the Golden website and saw that they will do custom orders. I asked them for the densest white possible and it just arrived in the mail!


                                                  cartoon by Harry Bliss and Steve Martin



Easter Sunday again. Though it doesn`t seem to be the big deal of my childhood, I think it is a shared, welcomed holiday. Our country is more tolerant now in large part due to the decline of the church in our lives. This is a more secular country than ever. For better and worse. I left traditional Christianity as a teenager because the concept of a loving God punishing people in hell throughout eternity was a contradiction too huge to ignore. Upon inspection, other parts of the story didn`t hold up either. It looked pretty obvious that man created god in his own image. Yet the great philosophical-spiritual questions remain. It takes a lifetime to create a new understanding of the divine.

Then there is Pastor Adam Ericksen;

As a bird flies, the Clackamas United Church of Christ is may be five miles away from me. I saved this photo from a Reddit post. In the comments I read Adam walks his talk. That the church is actively helping the poor and desperate here in Oregon. The spirit of Christianity is as radical as you can get; love your enemy. Who can do that? Who will even consider it?
He`s on to something. A better world. 


                                           The Empire State building from New Jersey 1930`s


 Isn`t this photo phenomenal? Just imagine!
Somewhat similarly, I was running in a park in Queens once and saw only trees with the two towers of the World Trade Center above them. Then, I found a $50 bill on the grass!


                                                      by the wonderful John Felsing







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