Tuesday, September 30, 2008
Saturday, September 27, 2008
Figure Study
Occasionally I draw the figure, usually with a group but sometimes I`ll hire a model. This is a matter of high anxiety. The posing time is limited, the model will be comfortable just so long. The room is always too hot and it`s inescapable whether you get it right or not. There`s the model, there`s the drawing. I inevitably feel that I failed, I won`t even glance at them again for days. Then I get curious and look. Sometimes I`m surprised.
Friday, September 26, 2008
Monday, September 22, 2008
Columbia Slough Dusk
Another small landscape. These pieces on the Japanese plastic paper called Yupo involve watercolor, acrylic, crayon, gels and varnishes. It`s plastic, nothing is absorbed, so it requires a different approach, new techniques to get the paint to stick. I`ll have several of these at the first Portland Art Open this weekend.
Tuesday, September 16, 2008
Monday, September 15, 2008
Thursday, September 11, 2008
Wednesday, September 10, 2008
Plein Air Watercolor
Almost ten years ago, I sat on the wall of Mt. Angel Abbey and painted this. It was a chilly February day, I was on the mend from back surgery and I was with my old pal Lake who was also painting. A good time.
Tuesday, September 9, 2008
Saturday, September 6, 2008
Friday, September 5, 2008
Wednesday, September 3, 2008
Marine Air
Another view of Sauvie Island. Although it`s 8o miles from the ocean, it feels much closer. The light, salt air and sense of space seem so coastal.
Tuesday, September 2, 2008
Monday, September 1, 2008
Along the Dike
Northwest of Portland, at the confluence of the Willamette and Columbia rivers, is Sauvie Island. Half is protected wildlife preserve, the other for farming. Such a fun place to paint! Even though it`s popular for it`s beaches it has an uncrowded timeless feel to it. Being a freshwater island, it used to flood regularly, now dikes hold back the rivers. The views across this fertile landscape are vast and peaceful.
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