About a month ago my husband, who is a nurse, told me a doctor had said he was scared to death of the coronavirus. Ever since I`ve followed this closely. Everybody is, right? With China locking down millions of its citizens to contain the disease, and the stock market in free fall, it is reasonable to think this is a big deal. Not the press and democrats out to get Trump.
Last night the first case of an Oregonian with the virus was announced after the state`s lab confirmed it. He first showed symptoms on the 19th. He is also an employee at a school in my community, luckily without much contact with students. It is unknown how he acquired the virus. This suggests it is spreading somehow undetected. But maybe slowly, with luck.
I feel like I`m an unwilling participant of someone`s science project. Waiting to be observed. My guess is this sensation is common to everyone right now. We are waiting for a potential catastrophe. Hmmm, I`ve never been a patient person and the suspense scares me more than the illness. The imagination can be so dangerous. I can`t stand horror movies and I`m incredulous of those that do.
So if that unfortunate and local man appears to be just the first in a circle, will my city be quarantined? If we can contain it here, that would be amazing. I probably have two weeks of food on hand. But if it becomes a pandemic with lots of sick people, what do we do? How do we help?
As of tonight, there are 70 confirmed cases in the US, 44 came off the cruise ship. It seems given the incubation time, we will know a whole lot more a week from now
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I always photograph what I`ve done before going upstairs to sleep. With my phone, just to figure out what I`m doing. A while back I did this;
as an underpainting for something that then failed, but I didn`t delete the photo. Something about the palette I thought was worth returning to sometime. It is the basis of 'The Season is Over'.
I`ve several ideas that would be best explored in oil paint but I have the usual odd reluctance. When I stopped last August, I wondered if it was for good. I keep trying to find equivalent techniques with acrylics, but unless I use them transparently, I`m disappointed. Oil paint is the only kind that doesn`t talk back. What I paint stays like I painted it. No surprises when it dries, predictable opacity, a pleasure to move around with a brush and the color is superior. When I return to it, I`m usually exhausted by watermedia with its quirks and want some control again.
Night Cloud watermedia on paper 12x9 inches, 30.5x23 cm
As I wait for Covid-19 to change everything, I`m in full scale procrastination avoiding learning web design and launching my new website. Before taxes, I promise myself.
Incoming watermedia on paper 19x14 inches, 48x36 cm
More tinkering. I`m concluding lots of work that got abandoned too. I can spend a whole day trying to rescue something once again and in the end, I get out my giant scissors and cut it up. I tried.
Yesterday I did an experimental plein air session to find out if the temperature was tolerable yet. Nope my hands were freezing. Soon though I think.
by Fred Cumming
Fred Cumming turned 90 last week! Someone posted this masterpiece on Instagram in celebration. I hope he`s recognized as a British national treasure in his homeland.
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