Bryant Woods April

                                                Bryant Woods April watermedia on Yupo 26x40


 Well I was aiming for a Joan Nelson, but I got another Randall David Tipton.   
    Sigh..    , what can you do? When an artist finds their 'voice' it`s as particular and unique as handwriting. It`s too late to imitate. Yet if one is developing, there might be the opportunity.
The issue is interesting. The student wants that signature style as soon as possible. An early 'mistake' is seizing upon a stylization in which to become identifiable. I think it`s unfortunate because it can short circuit genuine exploration. I did it myself;

                                                         Telluride Canyon watermedia on paper 30x20


 In this piece from the early 80`s I made the massive mountain on the left almost a symbol with those strong diagonals. I simplified the scene probably because I didn`t yet have the skills or patience to make a thoughtful representation. It`s not terrible but it has kind of a 'cheap' look. Or, maybe it`s just the difference between a young man`s expression in contrast to the depth of someone older.
Another stylized landscape from the 80`s;

                                            October Aspen watermedia on paper 48x36

                                                       Marc Chagall and daughter Ida, 1945 (Lotte Jacobi)

 What a good Dad!


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Canyon Pool and other New Watermedia

                                                    Canyon Pool watercolor 14x11

                                                End of Winter Study watermedia 8x8

                                                  Feuchtwinterwald watermedia 15x9

Soon I`ll be an oil painter again but I spent another week with watermedia. It always seems like a 'lighter' cleaner process appropriate for Spring.
 

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Papers! Watercolors! Northwest Skies!

                                                            watercolor 17x14

 This is a plein air watercolor done on Second Beach on the Olympic Coast in 1986. I`m posting it because the paper was one I had used, literally for decades.
Meridian 100% Rag Drawing Paper by Pentalic was thin, tough, heavily sized and took watercolor beautifully. Until it didn`t. The formula was changed and it became more like blotting paper. This tragedy sent me on a long lonely search looking for something comparable. I discovered Yupo in my wanderings. Daniel Smith sent me lots of samples to try but none were right. I was like Odysseus just trying to get home.
 Last month I posted some of Georgia O`Keefe`s watercolors and mentioned my interest in the paper she used. Local artist Betsy Chang wrote to say she had been curious too and had asked the Museum of Modern Art for information. She got a boat load and passed it on the me. Mystery solved! It was cartridge paper, whatever that was?! Sarah Fincham of the UK stumbles on my blog, reads my question and writes to say;

 "Cartridge paper is what we use for drawing here in the UK, it comes in various weights and is usually sized for wet media, these days at least. And yes it does take watercolour pretty well, depending how heavy it is. You get a lot of granulation and it is good for wet in wet I find. Also good to draw on over the colour.

Often it is named for counties - for example I use Norfolk cartridge 210gsm - and it's named like this because originally it was used to wrap gunpowder for muskets, and would have presumably been made locally.

As for what it's made of - well these days I don't know if it can be made of linen fibres but I doubt it, it's usually made of rag and wood pulp, and is inexpensive for that reason.Texture wise it's almost the same as what is described as vellum in the USA."

Then she sends me some!! And a couple of others as well! What a love!

First I do a test;

 Seems very promising! Then I do a 'real' painting;

                                             watercolor 11x7.5 [Norfolk Cartridge Paper #3]

  I like this paper! Yet I can see it is not going to take a lot of reworking. Best used in simple compositions in a very straight forward manner. Like O`Keefe`s beautiful Evening Star series. Then I try Sarah`s other gifts;

                                                   watercolor 8x6 [Khachi Smooth Rag]

 This one is so sumptuous, I barely do anything and I`m seduced by color and watercolor magic and just stop. Going to get some more of this! 

Next I try a rough handmade little sheet;

                                       watercolor and oil pastel 8.5x6 [Hahnemuhle Bamboo]

 All these papers trigger my fetish so then I go online to see what I can find. A paper with the weight, durability and texture of American currency has been an obsession for quite some time. In the New York Central Art Supply paper pdf catalog I think I may have found it. Ruscombe Mills began in Britain 25 years ago and have since relocated to France. They specialize in handmade [and expensive] papers made from cotton and flax like those from earlier centuries. Creamy colored crisp sheets like Turner would have used.

          watercolor 7x5 [Ruscombe 'Machine Age' Compatible Cold Cream Wove]

 This little piece below, from last year, I include because it`s painted on a new American paper called 'Fluid'. It`s acid free and neutral ph but not rag. It`s cheap, loves watercolor but has a limit as to how long you can work it. Much like cartridge paper but USA made!

                                                                watercolor 6x6

This is blooming in my yard and it smells like heaven, anyone know what it is?

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