Could you imagine this watercolor 10 feet long? Would that be interesting or too loud? The issue of how large my paintings should be has plagued me since I was young. I`ve tried hard to have a career with integrity yet this one issue has compromised my practice since early on. Practical concerns have mostly won out. Like many young people I moved more often than was desirable and the transportation and storage of big paintings was always a problem. I wanted to work large but they didn`t sell very well. The impulse to do them wasn`t pure either. Was I just clamoring for attention with their scale? Was that OK? There are so many logistical matters to think about in the life of a painter! Do they give the students any help with this in art school? Because I didn`t go, I`ve had to figure out most everything myself. In several periods of my career I just said to hell with it, I`m going to go big. Some of those 30 year old paintings are stacked fifteen feet away from where I`m sitting now writing this. The inability to find homes for the large canvases would then cause an over-correction. Nothing that isn`t comfortable to carry. Or later, nothing that won`t fit in my car. Then the pressure builds again and I have a new brood of bigguns. Now I have a bigger car too! One might think the answer is within me but it`s not! Not yet anyway. This isn`t a fatal dilemma, I`m not tortured by it. The primary thing is I`ve painted consistently for forty years.
Though my studio is large, the ceiling is low. There is a real limit to what I can get past my stairwell. And as I`ve gotten older, it`s certainly easier to manage the moderately scaled pieces. Sometimes I think I could be happy painting tiny botanical studies at a desk and at other times I want to do 20 foot long watercolor scrolls. So on it goes, round and round.
Maybe it`s mature to be practical, I greatly admire Thomas Nozkowski, and all of his stuff would fit on my back seat.
The painting above comes from a small patch of grasses and trees along the Tualatin River backed by a steep hill. It`s in a park in West Linn, close to the baseball diamond and is just spectacular to me. Somehow the light on this spot is always dramatic. The paintings below all derive from this same magical corner on the river;
Allow me some words of gratitude for the life of Hugh Hefner.
I`m a feminist, I understand the arguments and controversies his life and business provoked. And I`ve always found him creepy. But he did the world a great favor in his effort to legitimize sexual desire. The Playboy 'sex friendly' attitude helped liberate a lot of compressed and suppressed feelings about sex. In doing this, I believe he helped women have more understanding and control of their choices and roles in life. He and the advice columnist Ann Landers were also among the first public figures to say the obvious; homosexual people are born and part of nature. I appreciate that.
Now for some pure bragging. Watch my tremendously gifted cousin, Anya Cloud, in some contact improvisation here, with the great dancer Matan Levkowich. Exquisitely beautiful.
I used to rail against the idea of monarchy. The notion of superiority by birthright was deeply offensive, undemocratic and racist!
I hadn`t done my research.
When I read of Queen Elizabeth`s active role in WW2, my beliefs began to shift. Now I understand the British monarchy at least, to be an example of moral courage, a model of service to the common good and boosters of the best Britain has to offer the world. Look through these pictures of Prince Harry at the Invictus Games. What a lovely humane young man!
We used to have such a leader too.
OK, my big Pinterest discovery is Heli Huotala, a Finn of great sensitivity to nature and of the properties of paint. I could live in one of her paintings.
She is doing everything I hope to do.
High Summer-Sauvie Island
My watercolor demo from two weeks ago on the coast turned into an oil painting. Things change!
Last week to see my show at the White Bird Gallery in Cannon Beach OR!