It was a sad beginning of the new year and it started before Christmas. The impeachment debate in Congress was so utterly discouraging. A whole political party stonewalling the constitution, undermining our democracy and pretending that the President`s behavior was normal. The holiday arrives and I`m blindsided by grief once again, missing the half of my original family that`s gone. The fires in Australia just get worse and worse, people are camped on the beach or in boats trying to escape, while millions upon millions of innocent animals perish. On the West Coast of the US we have seen voracious fire storms in recent years so it is extremely imaginable. The terror and loss of life and habitat are overwhelming. Then our commander in chief takes out an important, if evil, Iranian general to prove something that is never clear. For several days it seems we are on the brink of war!
Not the calm beginning I wanted. January is best when it`s quiet and productive but 2020 has been anxious and dispiriting.
At least, finally!, an Evangelical Christian leader spoke truth to power and said what most people think. He is morally unfit for office and should be removed.
I hope the Iranians really have concluded their almost symbolic retaliation. I hope Australia cools down in a widespread rain. I hope against hope the Republican party will put their country first.
The painting above was not an intentional response to the fires in Australia. But as with any deliberately abstract painting I do, I`m lost at the outset. When I began this all I knew was I wanted a golden warm palette. Here was my opening move. Acrylic medium with purple quickly brushed on followed by an orange soup.
Big mess on the floor as the paint flowed down and off creating a veil.
Making a donation to the International Fund for Animal Welfare was definitely helpful to my mental health.
Here is a very interesting article on 'cultural burning', an Aboriginal technique of a slow circular intentional burn around structures enabling them to withstand wildfire.
This is my most recent painting. The wetlands of Fanno Creek become colorful after the leaves fall. The marsh shrubs are densely entwined and at a distance look almost cloudy. I did a study soon after my walk through the area a couple of years ago;
oil on Yupo
An improvisation from memory of the lush canal that feeds Lake Oswego.
by Eva Lundsager
by Eva Lundsager
by Eva Lundsager
Eva Lundsager has been a favorite since I stumbled upon her in 2012. She paints in oils too but I always think of her as a watercolorist. She loves transparency and also the landscape. The work seems in motion. Using saturated color her work is celebratory but never shallow.
View from Muley Point by Thayer Carter
Gates Pass by Thayer Carter
Vermillion Cliffs by Thayer Carter
Thayer Carter is a friend from my time in New Mexico. He`s also the grandson of Rockwell Kent.
by Rockwell Kent
He`s told me he doesn`t even try anymore to paint deliberately different from his grandfather, he has the same vision: a reduction of the landscape into simpler solid forms with radiant light. I think it`s the same phenomena as my father and me having similar handwriting. It fascinates me that mark making could be genetic.
Thayer`s work is carefully composed to give his subject an unequivocally dramatic presentation.
Nearly two years ago he was invited to spend time in the former Rockwell Kent home in Newfoundland as an artist in residence. Granddad was controversial in the community but they welcomed his progeny.
He was great, just not the servant I expected. Most parents are heroes. I wanted this badly and there he was on Christmas morning.
by David Fullarton
grateful to be a painter!
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4 comments:
I appreciate you sharing your feelings and words. And of course your paintings. Trying hard not to let all the matters of the world get to me but it hurts my heart. Keep painting, praying, hoping, sharing and giving.
Becki Hesedahl
Randall,
I just love the work of your friend, Thayer Carter (and I have always admired Rockwell Kent). There is something about that kind of painting that is firm, real and gives me a sense of peace. (I feel the same way about the work of Lawren Harris.)
And your canal piece struck a note (they all do) because I was just recently on a "canal" hike. I love the idea of water sources and the paths that water itself travels. Water has its own mind and energy despite what we try to do with it.
So far the year has sucked, that's true. I fear we will all have to take turns with our land burning and changing. I'd love to think that things will end on a high note but I just see a downward spiral. I have never been such a pessimist but that attitude seems to be setting in.
Keep painting is all I can say.
Thank you for a great post.
Libby
Thanks for all of your thoughts, Randall! And, I love seeing your snapshot of work in progress.... really great!
Well of course I agree with all your comments but for me, I cannot keep these things locked into my brain or I will totally give up. So I lean towards this: I only have a small amount of time left on this earth, and I am going to do everything I can to make that time count by doing the small things that affect one, not all. I cannot fix the world but I can listen to a 30 year old who is frightened of a cancer diagnosis because I've been there. And I can make a difference to someone who just needs a helping hand. And those things, along with your beautiful creations, keeps me optimistic.
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