Showing posts with label Landscape painting. Show all posts
Showing posts with label Landscape painting. Show all posts

Sunday, January 27, 2019

Marsh Forest

                                           Marsh Forest Study watercolor on Yupo 8.5x11


 I want to thank all of you who told me what we should discuss when I teach next weekend. My first thought was to emphasize technique but  I heard that I should address color choice, emotion and the landscape and selecting personal subjects. So I`ve been thinking. Of course this is the stuff that never is verbalized by me even to myself. I know instinctively what to draw or photograph when I`m out in nature. Now I`m figuring out how to talk about it. It`s uncomfortable. There is a yearning quality in my response to nature that I don`t understand. Beyond Romanticism. I find ephemeral scenes lit temporarily in a poetic manner and I`ll take a picture. If what I`m seeing is really striking, I`ll remember it too. Then I begin painting but it`s more like an excavation, subtracting to find my painting. This is better shown than explained.


                                             Cape Arago watercolor on Terraskin 14x11


 From my time in Coos Bay a couple of years ago. That eroded coast would provide a lifetime of subjects if I lived near. Without bias, the Oregon Coast is the most astonishing, compact, jewel like series of landscapes, one after another. And it`s never crowded other than Cannon Beach. If I lived in the interior of the US again, I would come here to this coast to be by this sea. Not Hawaii or Mexico or Greece. There is a wild, interactive relationship between the water, sky and land that`s palpable.


                                                          unfinished marsh


 I should have left it alone but it wasn`t finished. I thought last night.
Now this no longer exists but that`s ok.
If there is time in my workshop I`ll demonstrate a do or die effort to rescue something that`s ruined. Good things can happen if there is nothing to lose. I once said to Don Gray that all my paintings were better 20 minutes before I finally stopped. He said that`s true for all artists. We keep pushing for more clarity until we go too far and then backtrack as best we can.


                                             man in motion by Eadweard Muybridge


 Eadweard Muybridge was a bookseller until he cracked his head in an accident and became a determined innovator of photography. It appears that brain damage can unleash tremendous creative potential. This article in the BBC explains how even dementia can unlock hidden talents.
It does not mention if the poor high school football players with concussions become more creative. I wish it would have included this kind of trauma.



Igor Mosiychuk, have you heard of him? I sure hadn`t but apparently he`s quite well known in his own country, Ukraine. He`s a watercolor wizard unlike any other;


                                                            by Igor Mosiychuk


                                                                by Igor Mosiychuk


                                                                  by Igor Mosiychuk


                                                                      by Igor Mosiychuk


 Yes, they have a traditional sensibility but who cares? They are so dense with lyrical color and mood.
If you have an extra hour or so you can watch him demonstrate here.



                                            Oaks at Brandy Creek watercolor on Yupo 12x9


 For the first time in my 25 years in the Pacific Northwest, winter is bugging me. It`s too cold. Usually I`m head cheerleader for all things gloomy and wet but not this year. Now I don`t want sunshine mind you, that low angle light is blinding this time of year but a warm breeze would be nice. Here`s to Spring and its gentle promise.



Goodbye Mary Oliver, thank you!


updated webpage

work for sale in my studio

prints on Fine Art America



Monday, October 8, 2018

Wild Plum and Portland Open Studios

                                                        Wild Plum oil on canvas 30x30


 Third attempt and this one I`ll keep. The subject is so simple, it had to be isolated at an exact moment of floral explosion. Two previous efforts were just banal. I walk by these trees every spring with morning light streaming behind them. In early March, one day it`s winter and the next, the season has turned.


                                                  Sunlight and Stone oil on canvas 40x30


 This is also new and the place is another landmark on a different walk. I lap Cook`s Butte for a cardio workout circling up and down. It the late summer, it`s dry and dusty in the sunny areas, then cool and green in the forest. I first painted this rock as a demo in a class I taught.



                                              Circle of Cypress oil on canvas 36x56

 And this got a makeover. I thought it was finished in the spring of 2016 but later knew it could be stronger. It`s a view from a picnic area on a bluff just north of the town of Mendocino Calif. My semester of 'art school' was here. I was 18 when I arrived, and so ready for beauty. I had escaped the smog, the heat and the car culture of inland Southern California. It is so much nicer now and a shining example of what can be when government is progressive.




 Maya Angelou said people always remember how you made them feel.
I remember exactly every bully that attacked me, where I was and how I reacted.
So did Christine Blasely Ford. But the trauma and objections of women don`t mater and another sexual predator now sits on the Supreme Court. His opinions about women and their rights are the ones that will prevail. For now.
 What an unhappy, unaware small man the new justice showed himself to be in the hearing. Our country deserves better.
This article from Howard Zinn written in 2005 gave me some perspective.



 I`ve been so immersed in preparations for the 2018 Portland Open Studios Tour, it`s hard to imagine anyone who hasn`t heard. But if your are, 100 artists in the Portland Metro area will open their studios to the public for two weekends; Oct. 13 and 14, then Oct. 20 and 21. The hours are 10am to 5pm. The website has addresses and maps. There is a Portland Open Studio insert in the Oct. issue of Portland Monthly, and you can purchase an app with all the information for $5. I haven`t been involved with it since 2015 so I have lots of work that is new. Work on paper as well as oil paintings. It`s a fun time and a total ego trip for me. Everyone who comes through the door has seen some of my work online and they`ve made a deliberate effort to visit. I live in an old suburb of Portland a bit out of the way. Come say hello!

5373 Lakeview Blvd
Lake Oswego OR
97035
503 380 4731




 In other news... I have a new kitten!! Even though Lyndon is my dream cat, we could tell he was bored and sometimes even a little depressed. Well, no one can be down with a kitten about! Sure enough Lyndon is ecstatic and surprisingly nurturing. We don`t have a name yet. Maybe it`s time to end the presidential series and go with a regular name. Or does he look like a Kennedy?









 Here is a sweet essay on Five Things Artists Really Believe In. My favorite is "no one is coming to save you". I had that delusion when I was young.



                                                        Bayou Kaiku by Allsion Stewart


                                                               Into Spring by Allison Stewart


                                                   La Foret Etude #1 by Allison Stewart


 Have you heard of Allison Stewart? I`ve been loving her botanical, organic, ethereal abstractions for a couple of years. I think we speak alike but different. She is in New Orleans, close to the bayous with all that richness of life to inspire her. She is rarely literal but always lyrical.





work for sale in my studio [updated]




Sunday, December 1, 2013

Minto Brown Tangle

                                                            watercolor on Yupo 12x9

 We went down to Salem yesterday and had lunch with John`s family and then on to Minto Brown Island. It was a normal, partly gloomy, early winter day and absolutely stunning. The entire park is a flood plain with sloughs, ponds, rivulets and swamps everywhere. All with beautiful, surprising color. In the muted light it had such a soulful quality. Take a look;








updated available work


Monday, October 21, 2013

Oaks in Ice Fog

My demonstration painting from Saturday`s Open Studio.
I`ve got to get out more or invite the world to my place more often. The last two weekends were just astonishing. It`s a wonderful thing when people come through the door already knowing my work! I heard the most interesting stories and met such sensitive individuals. There were sales and praise and my insecurities have gone dormant, at least for a while. If anyone missed the tour and would like to visit, I`m keeping the display up for the time being. Call or send me a note and we can arrange a time.
watermedia on Yupo 20x20


available work in my studio

Thursday, June 20, 2013

Oregon Refuge

From my visit to the Finley Wildlife Refuge a couple of weeks ago.  This early summer has been so sweet.
oil on canvas 14x11


available work

Tuesday, April 23, 2013

Spring Orchard New Mexico

I`m surrounded by less than successful new work so here is my take on spring in Chimayo New Mexico from 25 years ago. At that high elevation, everyone is so ready for some warmth and something green.
I painted at Bosky Dell Natives today with my friend Ruth. She got a gem and I did a dud. Oh well, the day was sparkling and sitting along the creek in deep conversation was what I really needed.
Her recent post about the 'career' of an artist is worth reading.