Showing posts with label Oregon contemporary landscape painting. Show all posts
Showing posts with label Oregon contemporary landscape painting. Show all posts

Saturday, February 17, 2024

slow watercolor

                                              Winter Sunlight watercolor on Yupo 26x20 inches


                                                 Otter Crest watercolor on Yupo 16x20 inches



                                              Winter Light watercolor on Yupo 14x11 inches
 


                                            Bandon Beach watercolor on Yupo 14x11 inches


 2024 began with uncertainty. A long expected knee replacement now was urgent. This is the final correction in an ordeal that began with partial implants in 2017. Soon after that surgery it was clear that both were infected and that set off a long process involving further surgery and home IV antibiotics. I was a mess but eventually healed. Right now in healthcare, a backlog of procedures that stacked up during the pandemic are still being addressed. I was told I had a seven month wait so asked to be on a waiting list in case of a cancelation. That worked out and I now have a new knee. Preparing for the operation and now recovering have left painting a lower priority. I have vague ideas about new collages and urges to paint the coast, but I`m drifting, doodling, planning and looking as much as painting. The great fact of the moment is how manageable my pain is. Just two weeks ago I had my leg cut in two [so to speak] and I`m already walking down the block. The techniques must have advanced and I think the surgeon must have executed his job really well. He told John he had to cut through lots of scar tissue and that my recovery would be painful. But it`s not. Dumbfounded and grateful, I know all too well what it`s like when these projects go south.

 Otter Crest up above, was painted with a time limit. I`ve done this sporadically and have to say I like what happens.  What I`m not sure of is how to integrate this looser approach. My process is based on constant revisions and thoughtful response to what is happening in the moment. I use a hairdryer often to arrest the paint, make it slow down . Yupo is so smooth, the paint obeys gravity, not me. So the way forward might be to delay my editing impulse and let the confusion flow longer before I try to organize it.


                                                                        RDT and Carter


  My brother Mike says the only people who don`t like cats have never been loved by one. Reality is sometimes that simple. Both my guys have been super attentive as I lurched around the house with my walker. Daily, they offer to me the experience of deeply loving something. That`s no small thing. Our pets make us be better versions of ourselves. Less inward and more generous.



 Less than a month ago, this was a sickening common sight The ice storm was preceded by extremely strong wind and temperatures in the teens. Then ice fell on top of the snow and all predictability was gone. 

Medical people are needed in any circumstances so John slipped on the ice trying to get to work. After his shift, an X-ray showed a fracture in his wrist. As unfortunate as that was it was minor compared to the tragedy of trees falling into homes. A modest house in my neighborhood was cleaved in half by a massive Douglas Fir. These very tall trees were the original source of wealth in the new Oregon Territory, and they were and are, everywhere. If you live in a frame house it`s likely the timber came from the Northwest. So in these extreme weather events, few homes are out of reach if these trees go down. Like the big earthquake that is coming, it`s not something to dwell on. We prepare as best we can. The storms seem to be increasing in frequency and people are adapting.

I had to get down my icy front steps too and I had the idea that if I put a towel on the ice I could step on it. It worked! After getting down I tossed them back to the top, in reach, to reuse when I returned. As soon as stores are restocked, I will buy coarse salt to keep our pathways clear. We have already bought cleats for our shoes. Ice is serious.



                                                          Edward Reginald Frampton

 Isn`t this magnificent?! I had no knowledge of his work when I found this. The concise sections of landscape with their clear color and complex design, beneath that soaring sky seduced my attention. I love it in the same way as Indian Mughal painting, jewel like with intricacies to explore. 


                                                               Vincent Van Gogh

 I love Van Gogh, who doesn`t? His earnest work grabs you at the heart. But it`s in his drawings that his pure genius shows most clearly. First of all this was done with a pen and ink. One color. The variety of tone and texture is staggering. There are two human figures and a flock of sheep but this is not a narrative. It`s the raw vitality of those dormant trees which is the subject, they bristle with energy. Seems he had direct access to the source of life.



 





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Friday, November 4, 2016

Shinrin-yoku for real

                                                         Shinrin-yoku 2 oil on canvas 20x20


 One of my pieces in this weekend`s Sitka Invitational at the Forestry Center in Portland. The show is a benefit for the one of the coolest institutions I know of, The Sitka Center for Art and Ecology in Otis OR. Unusual provocative classes in summer, long generous residencies for artists and scholars in winter. Forty years ago, Frank and Jane Boyden had a great idea and they made it a reality. Not many do that, especially in their 20s.
This is a worthy exhibition full of landscapes and nature themed art of an unusually high quality. Give it a look and then take a walk through the arboretum while you`re up there, it`s spectacular right now!


 When I got up at 5 to go to the bathroom, I could see out my window the street lamp was a hazy glowing ball. Fog!! At last!
Just last night I was looking at my photos from autumn 2015 and remembered I wasn`t out and about too much then. This year is different. I set out early for the Tualatin-Durham-Cook`s Park trinity of autumn wonder. Once there I had a long soaking Shrinrin-yoku, a forest bath, and it did me good.
Cold wet fog always reminds me of being a kid, camping with my family on the coast of Northern California or Oregon. We fled the heat of the Inland Empire in summer and drove north. In those foggy state parks we were cool.
Look what I saw this morning;




















 Now is a time for faith. Vote, then trust our great country to do the right thing. Breathe deep.




Now we know



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Saturday, October 29, 2016

October watercolors - O J Bundy - Dakota

                                                     Storm Break watermedia on Yupo 16x16


 My demonstration painting done at the Portland Dick Blick last Sunday to promote the Sitka Invitational. A small but intent group kept me company as I found my way to this. My source material was a tiny sketch I did in Oaks Bottom ten years ago. It was fun showing them how I do it.


                                                Theater of Trees Study watercolor on Yupo 14x11


 This is an ambitious doodle trying to imagine in paint the beautiful sight I witnessed at Minto Brown a couple of weeks ago. Cloudy day and a gloomy forest, with a delicate sapling illuminated within the shadows.


                                                        Bandon Cave Study watercolor on Yupo 12x9


 From my visit to Bandon earlier in the month to retrieve my show from the Coos Art Museum. The southern Oregon coast is quite different from the north, less volcanic and 'softer'. More playground less existential seascape. Closer to California!





 Nearly everyone I know is outraged by the acquittal of the armed invaders of the Malhuer National Wildlife Refuge last winter. The righteous entitlement of this group was utterly discouraging to hear. For 41 days the occupation was front and center in the news of Oregon and all of their time there was televised, tweeted, Facebooked or broadcast. That all were found 'not guilty' of every charge had the bitter sting of injustice. I immediately remembered the verdict of OJ Simpson and the breathtaking horror of him set free. It seems this just invites more right wing religious fanatics to claim what is 'theirs'.
Talk about White Privilege, this is classic.
 It was so baffling and upsetting I figured there was more to the story. Indeed. Prosecutorial over reach. They had to prove a conspiracy and they couldn`t. Lesser charges probably would have produced convictions.


 That the verdict of the Bundy group came as the peaceful protests at the Dakota Access Pipeline were being forcibly disrupted made the week ugly.




If you missed it, listen to Lawrence O`Donnell eloquently remind us exactly how we`ve treated the natives of our country, and what is at stake in North Dakota.



                                                                 Nicolas Sanchez


                                                                 Nicolas Sanchez


                                                                Nicolas Sanchez


                                                               Nicolas Sanchez


 Here`s a gifted artist for you, Nicolas Sanchez. This man is a virtuoso! Exquisite realism to expressionism. When artists of his caliber have such technical prowess, there is a risk of perfectionism. But his humanity leavens the work, the regard he has for his subjects shines through. Watch the video, he has an unusual take on success.





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Thursday, July 14, 2016

Demos - Iceland


                                                   Summer Marsh watermedia on paper 18x24


                                                       Evening Oaks watermedia on paper 18x24


                                             Stone at Bunk Creek watermedia on Yupo 26x20


 Three of the four demonstration paintings I did for my workshops at the Coos Art Museum a few days ago. Each was completed back in my studio. The demos all begin the same way, I`m trying everything to establish a mood which looks only vague and nebulous to the group. Nervously I assure them I know what I`m doing and slowly it begins to develop. I can feel as confused as the participants as I grope for something to build on. Suddenly something falls into place and the fun begins! No logical procedure, my moves are as much random as deliberate. From this, I hope to show that pleasure is more important than planning, to trust their memories, become inventors of technique and to be guided by impulse. Action painting in other words, even if it`s 70 years beyond De Kooning`s innovations and even if their subject is the lake they were camping at last weekend.

 My show in the museum was beautifully presented and the paintings had a dignity I hadn`t noticed when they were stacked against each other in my studio. The gallery was climate controlled with closed doors and I smiled to think of the damp underground space they were created in. Here`s a panorama;


                                                                "New Landscapes" Coos Art Museum



                                                                 Fjaorargliufur


 That canyon was made for me, yes it was! Next week at long last, Randy goes to Iceland! My timing is terrible however, everyone seems to be going! Its 300,000 residents are expecting 1,250,000 tourists this year! My ace in the hole is a native tour guide for artists. She`ll know where to go, and it won`t be the Blue Lagoon! That landscape screams 'solitude', I will find it!


 In the perfect painting category, behold Margaret Glew`s 'Hot Salsa';


                                                              Margaret Glew - Hot Salsa


 She`s Canadian and gets it right nearly every time! I admire her so much. Look at this collage!!;


                                                                     Margaret Glew


 Another favorite abstractionist is Mary Nomencos.


                                                                     Mary Nomencos


 Check out this charming little video about her, she has landscape within!


                                                     South Slough Johnny!


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"New Landscapes" Coos Art Museum July 9 through Oct. 1

 

Thursday, July 7, 2016

Plein Air & "New Landscapes"

                                                     Edge of the Orchard watercolor 12x9


 Painted on the 4th of July with Jean Gale who did her first yupo watercolor! It was a cool cloudy summer day. Like they used to be. So far it`s been a sweet season; no oppressive temperatures, no smoke from forest fires, no series of teenage boys drowning in our frigid rivers, and the air quality has been great! An embarrassment of riches. I`ve felt really lucky especially after reading Phoenix reached 120 degrees last week.

 Below are the nineteen paintings in my "New Landscapes" exhibit at the Coos Art Museum in Coos Bay Oregon. It runs from July 9th through Oct.1st.


                                                         Coastal Stream Study watercolor 12x9


                                           Calypooya Mountain Summer watermedia 9x12


                                                       Hiver Marais 1 watercolor 12x9


                                                     Hiver Marais 2 watermedia 12x9


                                                     Scent in the Morning watermedia 12x9


                                                          Metolius Morning oil 30x48


                                                                 Camassia oil 56x44


                                                           Circle of Cypress oil 40x56


                                                            Coastal Stream oil 48x36


                                                               Winter Lagoon oil 30x30


                                                                Estuary Rainforest oil 40x60


                                                                       Logjam oil 56x40


                                                             Bryant Woods Spring oil 40x40


                                                               Autumn Slough oil 50x40


                                                                    Shinrin-yoku oil 40x40


                                                               Autumn River oil 58x44


                                                                                Oneanta oil 40x40


                                                                   Boundary Marsh oil 50x36


                                                             Slow Summer Water oil 56x44

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