Showing posts with label wetlands. Show all posts
Showing posts with label wetlands. Show all posts

Sunday, January 23, 2022

Strange new world

                                            Backwater oil on canvas 40x30 inches, 101x76 cm
 

Know anyone happy right now? The strangest time in my life keeps degrading. I have plenty to eat, I`m sheltered and warm with good health insurance. By most measures I`m certainly lucky if not wealthy. Yet it`s hard to be positive as these waves of virus wash over the world taking millions before their time. We are asked to wear masks in public and get free vaccinations and a huge number of citizens wails at this injustice. In their refusal, the virus has time to mutate again. Will this go on and on and on? Sure looks that way to me now. A true fatalism is slowly taking root. This isn`t all bad. American workers have not been so powerful in years. The pandemic has shown us that, yes, life is indeed short. Why spend your life doing something you hate if there are alternatives? This is healthy. People have lost their patience however and that`s problematic.I have never heard of so many acts of aggression! Shoppers attacking cashiers, deadly acts of road rage, the murder rate skyrocketing, trains being looted and angry raucous behavior during school board  and other civic meetings. 

In blue northwest Oregon where I live, our county commission meeting had to be abruptly cancelled because of a violent mood in the audience last week. I heard of a doctor working with Covid patients being constantly abused by the unvaccinated patients accusing her of killing them because she won`t give them the unproven drug Ivermectin! And meanwhile health professionals by the score are leaving their fields. It is a terribly stressful era for healthcare workers. I`m married to one and hear about this constantly. At times it feels like our country is coming apart at the seams. How could this be happening? After all we`ve accomplished? Maybe I`m just depressed but I know many others are far more discouraged.

Backwater, the painting up above, seems  to reflect my discomfort. The inspiration comes from the Minto Brown Island wetlands near Salem OR. Sloughs and ponds parallel this particular stretch of the Willamette River. I really love this place. Depending on the light though, it can look dormant and bleak in winter.



                                           Gorgeous Portland Nocturne by Maxwell Fishback


 Portland as a city in despair is not entirely accurate. Though plenty of residents are upset with the homeless situation, that issue does not define a city. All west coast cities are grappling with this and it will improve by trial and error. Voters approved a levy to create much more housing for these people who are down on their luck, mentally ill or addicted. It must be solved here and throughout the country or no one will enjoy their lives. 
What makes Portland unique is its generosity. Here is another letter from a teacher thanking the people of Portland for helping him help his students;


This city has never failed me and my students.

When I was at George Middle School someone cut the locks and stole several student's bikes from in front of the school while the kids sat in class. One of those stolen bikes was owned by the little brother of a past student of mine. The family had almost nothing but that morning he had been given a birthday gift... the bike that was stolen a few hours later.

I went on to a popular fundraising platform, the news showed up and a few days later the people of Portland bought every one of those kids a new bicycle.

When I travelled to Bangladesh to mentor the very first special education teachers in that country, the Portland Tribune ran a front page story. They put the link to that same popular fundraising site (different fundraising page though) and before you know it, Portland had stuffed so much money in my pockets, I was able to kit out two schools in great fashion! Each teacher got the equivalent of $200 to buy supplies (the dollar goes a LOOOOOOONG way in Bangladesh). At one school in one of the poorest areas of the entire planet, Portland paid to upgrade the lunch program for half a year of healthier bigger meals.

When my class hosted the special needs prom in the city, NPR showed up and showed the whole country our best practice (and it was the BEST! kids came from as far away as Salem and Ranier to celebrate their aging out of school at 21). I used to hand make every single girl a corsage. Portland stepped up, dropping ribbons and flowers off at our school. When my girls needed prom dresses Abbey's Closet stepped up and my girls got first choice of 7000 beautiful dresses.

And two nights ago, as I was freaking out about not having enough supplies to keep my students from sharing puzzles during covid, you all stepped up and kitted me out with enough puzzles that every kid will have their own bin with multiple activities I can swap out to teach new skills and higher learning. You all just came through for the kids who sit in my special needs classroom, at my special needs school, here in this incredibly special city of Portland.

I am not one of those teachers who feels unrecognized. This city has rewarded me in ways that very few people could have imagined. I was the first special education teacher to be Oregon's Teacher of the Year. My husband and I were the first gay couple to be honored by the Rose Festival and we rode through this city (on the back of a very slippery convertible) as you all cheered us on. At the time I was under orders if I said I was gay I would be fired but when the crowds heard them announce that riding with me was my husband, they went wild. When we got married The Oregonian had 45 pictures on their website. "Oregon's Teacher of the Year marries his long time partner" I believe, was the headline. They had a video tech follow us the whole day from buying our marriage certificate all the way to tying the knot. Though I was told I would be fired if I said I was in public, we took our vows on live television.

Soon after I was fired but I fought back and got my job back. The city of Portland did not take what happened to me sitting down. They overwhelmed my old school district with demands for my reinstatement, they threw out a bunch of the school board in the election that happened just weeks later, they continued to demand an apology even years later. After the Supreme Court, Portland got what they wanted. The district apologized. I accepted it whole heartedly. All of the people that did me wrong were fired, voted out, demoted or fled in shame and changed their names. The new admin is working hard to make the district the best it can be. The teachers, school nurses, the paraeducatiors and support staff at the district continue to be some of the finest people I have ever met in education.

And now, in these really dark covid times, I found myself struggling and once again, Portland (you all, this time), came roaring in to support me and my students. There is a reason I am a good teacher. It is because I live in a good city filled with good people. They always come through for me when my kids needs something.

I just wanted to say thank you. You all bought us books, art supplies, autism specialty items and so many wonderful puzzles. Several people from town are sending over lovingly-used puzzles. To know my students will not have to share anything with each other any more takes a huge stress out of my life. So, once again, you helped me and my staff by helping our kids. Thank you Portland. May you have a beautiful weekend and know that this city comes through when it needs to. We all can make that happen.


Brett Brigham is the teacher. Among his abilities  and talents, he`s learned to ask for help. Why is that so difficult for most of us? People yearn to be constructive but don`t know how, where or when. Answering a specific request sure makes it easier.




                                                                End of November 


                                                                   Marsh Hawthorne


                                                                      The Red Oak


These are some more oil on oil paper studies, 16x12 inches, 40.5x30.5 cm. As always, when I want to think while painting, it`s best done on paper.





                                                            Study in Blue and Gray



 
If anyone knows the name of this tattoo artist, please let me know. I don`t want one but I still would like to know who they are.  This is artistry of the highest order. The great tattoos of the world aren`t so available to my viewing, but knowing they exist pleases me. I don`t have an exhibitionist impulse ever but I like it that others do.


 With so much of the news crushingly negative, I have avoided a lot of it and turned to science fiction for an imaginative diversion. It has sure worked. It`s been  a pleasure to contemplate the problems and threats to distant worlds and times. It seems to give me a better perspective on the difficulties of our own history. John recommended the books of Dan Simmons and I have been deeply enmeshed in his Hyperion/Endymion quartet.  Escapism might just be self care as we try to dodge the virus.




                                                              watermedia on Yupo 26x20


A recent abstraction. It was much more enjoyable to paint this without thinking 'what am I doin?' Since circling back to landscape, the painting feels sincere and even exciting. Now painting without a subject can be fun again, less fraught.


Here are a few artists that are new to me;


                                                                     Pat Brentano


                                                                 Dorothy Ganek


                                                                     Billy Childish


                                                                   Martha Jungwirth











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Monday, November 13, 2017

Before the Snow

                                                   Before the Snow oil on canvas 24x20


 It wasn`t my intention to create a tonalist painting, but it was as if Emil Carlson was whispering in my ear to slow down and use smaller brushes. Coax the image into life. This was another failed painting that I knew I would fool around with again some day. Saturday was the day. I had squeezed random blobs of color, white and clear thick painting medium on the piece. Then I squeegeed them all over the canvas mixing them up in the process. What I had then was an amorphous misty void. Here and there I saw elements of its former life and began to emphasize areas using transparent color. It was more assembled than painted and the palette had to be cold. Maybe because it`s November. It is based on the soggy marsh forests on Minto-Brown Island.


                                                Rainforest Autumn 4 oil on canvas 20x16


 This also became tonalist in my effort to tweak it toward vitality.



                                              Cascade Head Spring watermedia on Yupo 12x39


 There it was, impossible to ignore! An announcement that the Saavy Painter Podcast was having a competition and online exhibition. Reasonable entry fee, and no shipping or framing issues due to it`s digital nature. I thought it was a perfect opportunity to enter a couple of oddly shaped paintings. Cascade Head Spring won third place! Yay me! Nice prizes and a mini interview for the podcast. That`s perfect with my fear of public speaking. The exposure for my work will be considerable too.
You can see the show here.

I was feeling very lucky at the end of Oct. and also applied to be the first artist in residence at Hakeakala National Park on Maui. One month inside the crater! My only competition is the rest of the whole world. Open to all disciplines and nationalities.  I slaved over my proposal letter.

And I submitted for an award from the Santos Foundation for artists of merit. I thought why not? can`t win unless you enter! I also saw that they had extended the deadline. That means they were short of applicants.

 I learned a long time ago to give efforts like these my whole attention during the application process and then forget about it. Usually works unless I want something badly.
I need to be in that crater.







Within all of the reports surrounding this necessary purge in sexual harassment claims and denials, I found this quote to live by "if a woman wants to see your penis, she will ask".
As for gay predators, shame on you! You are not excused because you`ve been denied full acceptance. Your homosexuality is not a shield for you to hide behind.
When power is used to sexually coerce it`s just wrong, we all know it.



                                                                    MatthewDibble


 Matthew Dibble is an artist I`ve admired a long time. He shows with Saatchi Online as I do and I`ve watched his career expand with interest. He works hard and every painting I`ve ever seen has something exciting about it.

Too much thinking can be an obstacle for me when painting; the ‘judge’ always seems to get in the way. My connection can only be found in the moment, and I often come back to a sense of my feet on the floor while painting. During these moments some real work is possible…. As artists, we do much better trying to keep things simple. We do better to compare ourselves solely to ourselves. Self-inventory is useful, while self-condemnation is not. Without calling our whole identity into question, there are inquiries that we can fruitfully ask. How am I developing as an artist? Am I doing the work necessary for me to mature? Did I work today? Yes? Well, that’s good. Working today is what gives us currency and self-respect. There is dignity in work. —Matthew Dibble



                                                              painting by Matthew Dibble



                                                           painting by Matthew Dibble



                                                             painting by Matthew Dibble

 He`s terrific, yes?



                                           Fanno Creek Fall watermedia on paper 16x12


 This seemed like a dud a couple of years ago, now I like its wistfulness.



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Sunday, July 16, 2017

New Work Summer 2017

                                                  My Marsh in Winter oil on panel 26x24


 Mine because I go there, the wetlands of Bryant Woods. I get in with the mud to see what`s happening. Last January I was able to walk into places I hadn`t seen because the ground was frozen. The previous summer`s vegetation was dead and  new grasses and cattails were sprouting. The Northwest winter often looks festive in its decay and regeneration.


                                              In the Bishop`s Garden watercolor on Yupo 12x9


 Las LOPAS convened at the beautiful Bishop`s Close last week to paint the gardens from life. A fine time it was! We have decided to return this coming Friday but with an earlier start. Please join us if you can. No one chased us off the lawn.


                                                                  Las LOPAS


                                                      January Moon oil on panel 26x24


 Every so often I like to create an 'all over' painting. The subject is usually a dense winter forest with the incredible complexity of the bare trees. With hints of foreground and back to anchor the frenzy of marks. The coastal stands of alders with their luminescent branches always excite me.


                                         Flooding Fanno Creek oil and oil pastel on Yupo 12x9


 More exciting branches, OK?



                                                       Path to the Sea 2 oil on canvas 30x30


 Sometimes if I`m lost in my studio I`ll paint again a favorite from the past. Not exactly the Warrior Way but I just want to be working, to have a brush in my hand should the spirit arrive.
 As my legs slowly heal, I`ve questioned the career aspects of being an artist, wondering how to proceed? What do I really want from my efforts? The answer is always good paintings but not how to disperse them into the world.



                                                               Immature Honeycrisp


 Six years ago I was going broke eating so many Honeycrisp apples. They are not cheap! I thought, how hard could it be to grow them? This is Oregon after all. So we planted a dwarf variety along with a small Japanese Akane to pollinate them and boom!, the first year the tree nearly broke from the weight of the fruit!
 I wasn`t able to prune it this winter and with all the rain, this crop will be huge. That bucket is filled with at least a hundred apples I thinned from the tree the other day. Here`s the problem though, bugs also like them. Do any of you know of any remedies that aren`t pure poison? My neighbor suggested copper sulfate. Any other ideas? Thanks.


 I`ve loved the work of Lynn Boggess for years and he just gets better. Though not a fan of thick impasto paint, when he uses the technique, it`s poetry. Take a look;


                                                            Lynn Boggess



                                                               Lynn Boggess


                                                             Lynn Boggess


 He goes out into the local forests where he lives in West Virginia, chooses a humble scene then brings it glory. In this video you`ll see his astonishing set up as he paints a canvas 68x80 on location!
Oh my, Las LOPAS has a lot to learn! He looks like the guy in the hardware store but this man speaks to God!


 I will be having a show at the White Bird Gallery in Cannon Beach OR Sept.1 through Oct.16. I`ve shown with this gallery for 32 years! First with the founder Evelyn Georges, now with the new owner Allyn Cantor.
I won`t be at the opening but I`ll be giving a demonstration of watermedia on Yupo Sept. 23rd. 2pm. Stop by if you`re on the coast.





some available work in my studio







Sunday, January 1, 2017

2017, ready or not

                                                        December Forest 2016 oil on panel 26x24


 My last painting of 2016.
I went for a walk the other day on Cook`s Butte and found the hill enclosed by fog. Then it started to burn off creating a transcendent moment of beauty;










I`ve seen so many beautiful sights up there! It`s usually my exercise destination because I can get an uphill work out which is good for my heart. A couple of years ago I was running  through those forests. Not now! I`m scheduled for partial knee replacement surgery in two weeks. My surgeon said I could do both  but I`ve been advised by others not too. When the pain of recovery was graphically described to me by another doctor, I thought I can`t do this at all! I`m not miserable! But the truth is my joints have aged really quickly and I will need this sooner or later. I`m groping for a better attitude.


                                                                   Christmas River


 Many many hours invested in this! At Christmas, its festive quality made me think it might someday be good. Then I got completely sick of it and it now is buried underneath 'December Forest 2016'. I hate that feeling of defeat!
So what did I learn? Orange and 'rust' are difficult together!


                                                          November Morning oil on panel 26x24


 In November I received 10 beautiful cradled panels made for me by Matt at Art Substrates. I`ve painted six of them now and may order some more. Their only downside is the weight. If you paint, try a prepared wooden panel if you haven`t. To me it seems more responsive than canvas. Transparent passages are especially fun with the layering of color.


 A few months ago I realized I was eligible for Social Security. When I checked the difference between collecting now or in three years, it wasn`t that much. I do a lot of running around in the service of my vocation, it isn`t easy to sell paintings. I thought, why not push a little less?
Yes!, sign me up!
And it`s fantastic! The money just appears in my bank account! The bad news is I may make too much to collect at my age. In fact I may have to pay some back, I`ll know when I do my taxes. Meanwhile I`ve bought some art!


                                                        Pond, Sunny Day by Robert Lafond


 I love Robert`s work! Several years ago he worked mostly in pastel and they were electric. This one I`ve wanted for years. Check out his Etsy shop, there are dozens just as good.


 He`s coming and there is no stopping it. The national seppuku is about to commence.
Should he have a good idea, I will support it.
The man himself deserves no support. You do not lie about an entire culture and say you saw thousands of Muslims celebrating in New Jersey on 9/11/2001. No one saw that because it didn`t happen. You don`t hound the president sowing doubt about his very citizenship just because of his race. To undermine him regardless of how it hurts the country. These are violations of the under appreciated 9th commandment 'Do not bear false witness against your neighbor'. The president-elect does this reflexively. That is evil.
The Republican Party is poised to exploit the average American on a scale we`ve never seen. God help us.
 Mental health experts agree that when a society suffers an upheaval, there is great purpose and meaning to be had in helping others. What I want for myself is a way to resist and be heard, to protect the rights of all of us and not be utterly depressed for four years. We will see.


 What we need is a cosmic caballero!


                                                            Galactic Rider by Alice Brasser



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Sunday, December 18, 2016

Wet Snow on the Marsh

                                             Wet Snow on the Marsh oil on panel 26x24


Our annual two inches of snow fell this week and Portland was predictably paralyzed. It`s not a metropolis of bad drivers, it`s just that the roads were built for a much smaller population and our snow is so wet. The temperature fluctuates several degrees around freezing and this means constant thawing and refreezing which makes for icy streets. It`s a mess. So bad last week in fact, the bright green state of Oregon is going to allow limited salting of the roads. This has been anathema because the runoff is so toxic. But kids stuck on school buses in traffic jams well into nightfall is not acceptable.
 Meanwhile this lucky guy was able to walk around the woods and admire it. What always impresses me is how sound is muffled and color is drained from the landscape. A tiny amount of snow can transform the world for a while.


                                                         Nov. 10 oil on panel 26x24


 This comes from a walk taken two days after the election. I was desperately trying to imagine a way forward. The country had done what I believed was impossible. The horror is a little bit more familiar now but it`s reinforced daily by the insulting appointments the president elect is making. He finds a rich unqualified individual for each department whose personal philosophy is antithetical to the mission of that agency.
The apprehension mounts each day.
When the electoral college meets tomorrow, they will rubber stamp their states often narrow margins of victory and award the presidency to someone who has never held office and who lost by over 2.5 million votes. Even if they managed the ultimate courage and denied Trump his 270, when it then went to the House of Representatives for resolution, that snake-in-the-grass Paul Ryan would insure his win there. We are doomed.
For the time being anyway. I think we will see 1960`s style activism return and a much greater involvement in political matters by ordinary citizens. Democrats did not go to the polls in numbers like Obama received. Hillary was said to have a 90% chance of winning and I think those polls played a major part in her defeat. We thought she had it.
 The great writer Ta-Nehisi Coates wrote a beautiful piece on the Obama presidency and it`s aftermath in the Atlantic. It is well worth reading.





 Trae Crowder, the Liberal Redneck, has had provocative and wise comments on the election. I hope the Democratic Party listens carefully. The affection he has for his granddads in this Thanksgiving clip is the way forward.



                                                      Light in the Forest oil on canvas 20x16



                                                                Lacamas Meadows


This is now a jigsaw puzzle.
I can`t imagine anyone actually putting it together, but then again I have never been someone for games. Of any sort. My whole family was like that, you had to tell us the rules over and over.



                                                               Mary Tonkin



Mary Tonkin is my new landscape love, look at that command of color and value!
Here is a video where she describes her process. Most of her work is done on location with drawing being a key component.



                                                              Damp Lyndon


 Ok, for you kitten owners trying to get some sleep, here is my new trick.
As I`m getting ready for bed, my huge kitten Lyndon comes alive and wants to play. Every night. If I let him into the bedroom he will root around looking for nonexistent prey for 15-20 minutes keeping me awake. I tried to tire him out with fetching the mouse first but he is still fresh when I want to go to bed. We like him to sleep with us, it feels like the family is complete, so I needed to find a way to calm him...Distraction!
I get my hands wet and rough up his fur. Not enough to annoy him really but he HAS to attend to it. When he`s groomed enough he lays down to sleep.
You`re welcome.



                                                                    dry Lyndon



It`s not Christmas music but it is Baroque. The handsome countertenor Andreas Scholl sings Ombra mai fu, the gorgeous opening aria from Handel`s opera Xeres.



                 
                            "Everything that needs to be said has already been said. But, since no-one was listening, everything must be said again." - André Gide


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Wednesday, December 7, 2016

Oddballs

                                                   Winter Marsh Forest oil on panel 20x18


 Here are some things I`ve been working on but never posted.
 Three or four years ago I was on Minto Brown Island in February and at first everything looked brittle and dead. But as I walked either the light changed or I did because it became much more interesting. I took some photos of a swamped forest that appealed to me because of its frenzy of vegetation and its utter inhospitality. I`ve painted it many times but only in this one did I get the mood right.


                                                          Sea Slot watercolor on Yupo 12x9


 In Oceanside, my favorite coastal getaway, there is a place at the base of the headland where the ocean is forced through a narrow passage between a massive boulder that looks like a hat box, and the cliff. As the sea surges in, there are all these sections in the water at different heights and planes that change  and shift in an instant as it pushes forward. It`s fascinating and somewhat hypnotic. Again, I had tried multiple times to get this procession right, but to no avail. Until now.


                                             Foothills Storm Study watermedia on Yupo 12x9


 This is an older piece I could never quite let go of, the inspiring experience was too memorable. I was driving to Ashland one Spring and the hills along I-5 north of Eugene grabbed my attention as usual. Storms were rolling off the Cascades behind them almost giving them the appearance of islands in a mist.


                                                           River Study acrylic on Yupo 24x18


 Another go at the copse of trees that borders the Tualatin River in a place where I walk. I get obsessed with certain views and try repeatedly to get their character.




                                                          Rainforest Autumn 4 oil on canvas 20x16


 Cold and muddy, late autumn at Tryon Creek.



 My only hope was that he wasn`t really a Republican. I mean would a true conservative politician hang out with Howard Stern? Well I guess they do. As the president elect announced his cabinet, it was quite clear he was going to surround himself with minds as small and mean as his own.
This is going to be awful yet I do think our country and it`s democratic institutions are up to the daunting challenges ahead. This essay from the New Yorker articulately spells it out.
I`ve joined the ACLU and intend to make my voice heard. I wrote the president and the Justice Department about the Standing Rock confrontation and it looks like the good guys won!
I`m going to change my party affiliation to Independent with the idea that I may be taken more seriously if my vote is perceived as winnable.
With the Black Lives Matter movement we have begun to tentatively talk about race in an uncomfortable but honest way. This is no time to turn away from that discussion and oddly, the rise of hate crimes may propel this forward even more. I hope so.
I was doing errands last week and heard the poet Clint Smith on Here and Now. A transcript is here and there are links to two TED performances where he eloquently describes in poetry exactly what it`s like to be black. At least as it interfaces with authority. It is just heartbreaking.
I want a world where young black men fear for their insurance rates at traffic stops just like I do. Not their lives.



I first saw his work 30 years ago in Portland and immediately thought we were on a similar 'quest'. Now we`re both showing at the Marcia Burtt Gallery in Santa Barbara Calif., and he feels like a friend. Though he lives in Tacoma we`ve not met but I think we will. Take a look at the landscapes of Michael Ferguson.


                                                              by Michael Ferguson


                                                                by Michael Ferguson


                                                               by Michael Ferguson



 Finally "Tet" by Morris Louis. [Nine by Thirteen feet]


                                                                Tet by Morris Louis


 He wasn`t the first to pour paint, that was Helen Frankenthaler, but he invented new techniques that expressed the deepest of human emotion.
Look at his 'veils'.
For me, art doesn`t go any higher than this. In his 50 years on earth he produced a profoundly moving body of work.


work for sale in my studio