Showing posts with label New Mexico. Show all posts
Showing posts with label New Mexico. Show all posts

Thursday, May 19, 2022

Travels

   Iron Mt. Spring watermedia on paper 19x14 inches 


 Greetings, I was happy to return to a soggy vibrant green landscape after watching two huge fires roam over two mountain ranges.


 John was not. Like many native Oregonians, his patience with rain is just over by May. May is a summer month, damn it. The winds of New Mexico gave us the famous panoramas but framed at the edges by smoke. Having been a New Mexican, I feel protective of that special place. In a good year, with no drought, the state is always in need of a good rain. At least a half inch please. Now, with water so scarce, the humidity barely registering, the sun searing the landscape all day every day, it feels fragile and combustible. But it wasn`t hot, not yet. With luck the monsoons will return again this summer. Like they did last year. Like they always used to. When I moved there in 1976, a typical summer day was jewel like in its beauty.  Every morning awaken to a cloudless blue sky and a delicate cool dawn. By 9 or 10 am the first tiny scouts appear. Seemingly lost aimless clouds floating by. Then they begin to organize into a front. Here they come steadily crawling over the mountains in the east. By 1, some break off and temporarily block the sun. Others gather into immense thunderheads at the edges of the valley. The height of them scarcely believable. The thunder can be heard in the distance by 3 pm, and very close by 4. If you happen to be in the street or in a garden or on a walk, you will be drenched at any moment. The wind rises up and a huge volume of water is dumped in the course of a few minutes. Then it`s over. There was always a lull as I rode my bike to work at 5. Often there would be a second round at sundown but not always. The next day would begin again in just the same way. I`m telling you, this was absolutely thrilling at 22!  I was from a hot smoggy southern California suburb with precious little visible 'nature'. Shortly after I arrived this daily spectacle commenced. Everyone took it in stride, everyone expected it. It was July after all. Daily this violent drama played out until Fall arrived. 

Unfortunately the summer monsoons have become very erratic and sometimes never come.                The tiny Hispanic villages burning to the ground now will rebuild. A culture that survived four different governments and a flood of pioneers isn`t going to disappear. It`s just so sad. People with very little now have no homes.

One thing I was able to do that I`ve wanted forever was to walk in the bosque of the Rio Grande in Albuquerque. Huge ancient cottonwoods line the river as it passes through town. I figured there would be trails but it was even better than I had hoped for. No litter or encampments but occasional benches to rest on and enjoy the view;





 To my surprise, I loved Albuquerque. The crucial factor was the season. it wasn`t hot yet. I used to be there in late June helping a friend at the New Mexico Arts and Crafts Fair. We sat away from the booth slumped in lawn chairs in the shade and were incredulous when there was a customer. It was so hot, the heat was a thing. One of us would have to drag ourself up, contend with the beast and assist the art lover. It`s why we were there but the only thing we thought about was the inferno around us. 

So could I live there? I don`t know. Maybe with some giant trees in the yard.


                                                           

 That`s my pal Dan Jaramillo standing next to me. We had lost touch over the 28 years I`ve been in Oregon. I heard he had written a book about the village of Chimayo where he grew up and I lived briefly. He`s a historian of sorts and I was so glad the story of that unique community had been chronicled. With the Manhattan Project, the lives in those small New Mexican towns were changed forever. The laboratories that developed the first nuclear weapons were in nearby Los Alamos. Good or at least better jobs than growing chile were a short commute away. Subsistence agriculture was abandoned, the English language infiltrated homes and the higher standard of living was just too attractive. The character of those societies was radically altered. Gringos like me came in and thought that sad. Others, like Dan, decided to commemorate it. He wrote the book and opened a museum dedicated to preserving some knowledge of that way of life. He did not curse the darkness, he lit the candle.




                                        the acequia, the ditch that irrigated the fields and gardens



Dan`s cool house. That his parents built, he grew up in and where he raised two of his children!


After leaving Chimayo we drove the high road into Truchas. Just a village clinging to a mountain with a breathtaking view of the Truchas Peaks. We were on our way elsewhere but I wanted to see the whole place again. I saw a sign that said Karen Wippich Studio. Wait a minute, I know that name, she`s from Oregon! Open by appointment but she noticed us in her driveway and invited us in. Karen is an exceptional artist using collage. Her work was beautifully hung in the most unusual house I`ve ever been in. She said it had 11 different levels and was anchored to the side of a bluff.





                                                                             Karen

As you can see she arranged her work thoughtfully in all those immaculate rooms. It`s really good stuff but the building, she herself and her incredible daughter were just too commanding!, I couldn`t really look too well and we were expected at someones home further up the mountain. I asked Karen how in the world did she get there? She said she was lost and asked a guy for directions. Then later bought his house. Believe it or not, a version of that tale is very common in NM. Cars always break down there and the drivers never leave.



I was really excited to see Henry Jacksons show at the LewAllen Gallery. His work is dynamic and his color sense uniquely his own. This was a show of all abstractions though he also paints loose interpretations of the figure which can be haunting.





This was posted on a subreddit about Portland. It is heartbreaking. Car theft and vandalism are rampant in Portland right now. 900 missing cars in just Sept. of last year. Why is this happening? Fentanyl is why. Its usually called heroin but in reality it isn`t anymore. It`s this new cheap synthetic opiate causing all the overdoses and the crime to purchase it. The ingredients come in through the mail and because it`s so strong, it`s much easier to conceal. For once I don`t have any idea how we should cope with this menace. 




 Well the photo is from the powerful movie 'Moonlight' and the text is reportedly from the 'Castaway' film, but this got my attention. My last post, which was about a suicide, was an education for me. It is not simple, and for some, just the idea of it can have a therapeutic quality. That was new to me.


       








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HERE for prints [new images added]


Wednesday, June 1, 2016

Watercolors!

                                                      Toro watermedia on Yupo 12x12


 I needed to goof off, I`ve been working on large Important paintings for months. Ideally art making is always play. Ideally. I`ve known for years some of my best ideas come from puttering with paint. No serious intentions just whims. Among my urges this week was to explore pure abstraction some;


                                                                    Lift watercolor 10x8


                                                    May Abstraction watercolor 9x12


Also did a couple of landscapes from memory;


                                                    Marine Air watercolor on mineral paper 10x8


                                                             Colony acrylic on Yupo 14x11


 And I even got out into the landscape with my pal Mitch for some plein air work!


                                                            Luscher Field watercolor on paper 12x9


                                            Luscher View watercolor on mineral paper 11x7.5


 We were at the city owned beehive of activity known as Luscher Farm. This place is fascinating! It contains sprawling community gardens, barns and outbuildings, some with classes in progress, chicken coops, birthday parties, curious tourists wandering around, a humongous farm house and acres and acres of fields with sweeping views. Everyone is completely focused on their tasks and assumes you are too. I could jump up on a tractor and take it for a spin and I don`t think anyone would notice.
 When the humidity is low in western Oregon, it feels like a personal gift. Painting up on a hill, in shade, with this desert breeze traveling through was like a dream. We`ve already had a couple of periods of high heat, but if it`s dry, who cares? Every time it happens I`m transported back to New Mexico. It can even smell like the Southwest and that, of course, brings back the memories. I try to enjoy them realistically, I don`t trust nostalgia.


 Laura Foster`s comprehensive guide to the Columbia Gorge is here at last!
As with her other books, this is packed with helpful maps, drive times, insider tips on food and lodging, historical photos, anecdotes, hiking suggestions, fishing advice, water sports information, tons of cool little things to do you would never know about, lots of history and a cultural perspective on the native residents and through it all, Laura`s intelligence and humor make it a super fun read! Twelve weekend getaways are featured to give you delightful experiences without much decision. I`m all for that!





She will give a presentation in downtown Lake Oswego at the museum 510 in the evening of June 18. Contact janrimerman@gmail.com to reserve a seat.


Take a look at this short video on addiction, it`s quite provocative. I`m not sure what to think but it`s an issue I`m more than familiar with. Everyone finally is in agreement that the war on drugs was a disaster. Especially for African Americans.
Now there is widespread opioid addiction and skyrocketing deaths from overdose. This is a field ripe for some innovation.


work for sale in my studio



Tuesday, August 25, 2015

November Dusk and New Mexico watercolors

                                                     November Dusk oil on canvas 20x20


 This finally came from a post-Thanksgiving visit to Minto Brown Island six years ago.  The wistful beauty of autumn always claims my attention, whenever it is painted.
  Summer is the time I can create paintings I`ve intended to for a long time. There isn`t the distraction of fresh inspiration. In winter, a simple walk out to the mailbox might offer something visually arresting. This time of year it`s mostly just green out there and in late August, a little frayed. These delayed paintings feel a little disembodied in the execution as there isn`t the recent experience of being there. It takes something like meditation to recall that time.

Below are some watercolors I did in New Mexico around 25 years ago;


                                                       Broken Cliff watercolor on paper 10x8


                                                     Far Utah watermedia on paper 22x14


                                                  Santa Cruz Lake watermedia on paper 32x21


                                                 Badlands watercolor on paper 16x10


                                                      Taos watercolor on paper 9x12


 NPR did a story on the wet summer New Mexico is having. The drought there has been even worse than in California. As the landscape comes to life again, it must be bringing immeasurable joy. This is good news indeed, I wish I could go see it.

work for sale in my studio

Portland Open Studios Oct. 10,11,17, and 18



Wednesday, October 22, 2014

New Mexico Mountains

                                                          watercolor 14x11

 For the last demonstration of the studio tour I chose to paint a view I saw daily in New Mexico and painted repeatedly. Not too many watched me for this one which was lucky, I was lost for a long time.
 I mentioned it to some of my visitors and another time on this blog but I`ll announce it again. In lieu of teaching, I`m going to be having a demonstration/conversation in my studio on the second Saturday of the month at 10 am. I do have technical information I`d be happy to share and opinions aplenty. If you`d like to see how I do things, come on by. The first is Saturday Nov. 8.
5373 Lakeview Blvd
Lake Oswego OR 97035

Here are more paintings of this view from different vantage points.

                                                       oil on canvas 48x70 1987

                                                      oil on canvas 20x20 1988

                                                 watercolor on paper 36x48 1989


And a hero of mine, George Bellows, painted it too nearly a hundred years ago. His visionary late landscapes are some of the most feverish and emotional I`ve ever seen. They give me chills!
All of his work can be seen here.


work for sale in my studio


Saturday, March 1, 2014

Over the Valley

                                                             oil on paper 15x22 1995

 The cloud is New Mexican and the land is the Willamette Valley. I was new to Oregon in the nineties and feeling my way through this new landscape.
 For the month of March I`ll be painting at the Sitka Center on the coast. The last residency I had there I was so intent on making the time count, I didn`t cook and turned feral eating just peanuts and cereal. I`m going to try to slow down, look around Lincoln City, drive up the highway and check out wetlands and beaches I`ve never walked on.


available work

Friday, January 17, 2014

Over Utah + Jonathan Apgar

                                                  Over Utah watermedia on paper 48x36
                                                                             1990


 In 1990 I flew from my home in New Mexico to the Northwest for a visit. I had a pocket sketchbook with me and did the drawing  somewhere over Utah. The juxtaposition of the geometry in the agriculture against the organic eroding landscape, fascinated me. The painting was one of many large watercolors I did in Chimayo NM.
 I`m posting this because I`ve been knee deep in my annual website update. For some reason this is never simple and takes way too much time. And I`m having old slide images transferred to CD so I can view them again. To my dismay, I found out many were already losing color though they had been stored properly. Listen up painters! if you want a lasting record of older work, get those slides  transferred as soon as you have time to sort through them. I had no idea they would deteriorate so quickly. Picture Perfect in the John`s Landing neighborhood of Portland did a quick, quality job for me at a great price.
 Last weekend I stumbled on the work of Jonathan Apgar on Pinterest and it stunned me. Although completely abstract and painterly, they seem to have spatial qualities we see in the landscape with divisions created by casual patterns and biomorphic shapes. Often the paintings are dense with strokes in odd and original colors. There is a haunting character to these massive works, take a look. On his generous website, he even shows a tutorial on building stretcher bars! I asked him if I could post some of his images and he was kind to agree.


                                                    Two Heads Black Stripes oil 94x69
                                                                  Jonathan Apgar
                                                 Myth of Redemptive Violence oil 96x84
                                                                   Jonathan Apgar
                                                                Cabal oil 114x84
                                                                 Jonathan Apgar


available work in the studio


Saturday, December 7, 2013

From the Beach to the Bluff + Chimayo at Dusk

                                                                  oil on paper 11x11
From my foggy visit to Oceanside last July. This is an example of Tonalism, which was an early love of mine. Here is one from 30 years ago;
                                                                 oil on canvas 30x40


available work in the studio


Tuesday, September 17, 2013

Birth of Hawaii 4 - New Mexico


Moving an artist who has been rooted to one place for 40 years is a monumental project. We`re chipping away at it as best we can. When you make things, in her case pottery and glass, there is a lot of equipment as well as work to pack.
The middle picture is a view from the yard and the painting below is something I did around 1980. She bought it then and is keeping it no matter my embarrassment.
watermedia on Yupo 3.5x17
acrylic on canvas 40x30

Thursday, May 9, 2013

Chimayo Spring

From a long time ago.
Whenever it rained in New Mexico it was special. Occasionally there would be lingering storms with overcast skies for several days. The state is so dry, everyone would  feel relieved and love it. Sort of  like a primal response, rain = survival.
watercolor on paper 14"x11"


available work

Saturday, April 20, 2013

Distant Peak

Once again, the demonstration painting from today`s class. By restricting the color to only one, value [the degree of light, dark and in between] becomes all important. I read on someone`s blog, that color gets the credit but value does the work. Without the concern for color and therefore realism, a painter is free to emphasize something else. I think with less choice, something more pure in one`s intention results. Some simple, atmospheric work was done this morning.
watercolor on paper 17"x14"


available work