Showing posts with label trees. Show all posts
Showing posts with label trees. Show all posts

Sunday, May 28, 2017

Forests

                                        Above the Canal 2 watercolor on yupo 14x11


 A couple of friends and a Facebook algorithm have contacted me to see if I`m OK. They noticed I haven`t posted in a while. More often than not, when I sit down to write and show my new work, I really don`t know what to say. That doesn`t usually stop me. But I`m sick of my knees, sick about our country and until recently, didn`t have much painting to show either. But I began working outdoors in the warm light with my pals and it has helped me a lot. I painted the piece above last Friday on the bank above the canal. It began with lots of random brushstrokes and a poured on wash for a background. It didn`t take long for it to develop into an image of what I was feeling that morning, sitting in that rainforest above the water with my buddies.
We had two guest artists [anyone is welcome] along and the setting was lovely. Our long wet difficult winter has produced an even more extravagant spring than usual. Everything is huge and healthy.


                                                          watermedia on paper 24x18


 This is a rare commission. My cousin wanted something like the post card sized painting I had given her two years ago. I thought, 'I can do that'. The whole task of painting by request is tricky business, too much most of the time. The client has legitimate desires, the artist has a personal vision. Getting these in agreement is not something I`m good at. Yet I paint forests all the time so I thought it a small risk. She`s on vacation so I don`t know what her reaction will be but if it isn`t what she hoped for, I`m fine with that. It will find a home in due time.


                                                           watermedia on Terraskin 8x7


A practice exercise before hand.



                                                  Along the Canal watercolor on Yupo 12x9


 My plein air effort from a week ago.



                                                             watermedia on Yupo 26x20


 The demonstration painting I did in my studio on May 20th. I will revisit this I imagine. It doesn`t live up to its potential.



                                                        Cypress egg tempura 12x9 1972


 My first and only egg tempura, painted when I was nineteen. It`s a view from a tree I used to sit in, I was a devoted tree climber. I remember sometime in my 50`s realizing with sadness I wouldn`t be doing that ever again.


                                               Phantom Bluff 1 watermedia on Yupo 12x9


                                                    Phantom Bluff 2 watermedia on Yupo 12x9


 The two above were rescues of plein air attempts I made in a boat last year. They were awful and now are better but still fall short of doing that bluff justice. It`s an heroic mass of basalt rising out of the lake with all manner of colorful and decorative vegetation spilling from it. It reminds me of a Christmas tree.


 After the election, in my despair I wanted badly to be of use to someone. Use my white maleness to protect something. The fear of what had just been unloosed was palpable.
 Last Friday three men on a train in Portland were attacked for doing just that, shielding someone vulnerable, a muslim young woman and her friend. The men were stabbed in the throat and two of them died. Everyone is aware of the story.
That this unspeakable horror happened in daylight, on a commuter train in ultra liberal Portland has the community in shock. I`ve asked of myself since, would I have done anything? Would I be brave enough to confront a raving racist man? Would I remember and honor my instinct to protect?



                                                 The Deep Blue Sea by Fran Coca



work for sale in my studio



Wednesday, October 19, 2016

Untitled Rainforest + Sitka Invitational!

                                            Rainforest Fall oil on canvas 36x50


 I will probably use google translator to help find a different title but not now. The challenge here was keeping this fallen tree, a tree. Not so easy for me! People are always saying my trees are dancers so I worked hard to thwart any creature associations. In the dense forests along the coast, immense specimens will topple in a windstorm and soon be colonized by mosses and ferns. The hole in the canopy allows more light until the surrounding trees close in.






 The annual Sitka Invitational is coming up soon, just days before the election. This is about the best opportunity to see a whole lot of quality landscapes and nature inspired art work, ever! It`s huge!  I`ve written a lot about the Sitka Center for Art and Ecology on the central Oregon coast and this massive exhibition is in support of this worthy institution. They offer terrific unusual classes all summer and artist residencies in winter. I`ve had the great fortune to have painted there for a month, two different times. It sits on a flank of Cascade Head, a biologically diverse and protected rainforest and it is stunning!
 To promote the show, I will be doing a demonstration at the Dick Blick art supply downtown this Sunday [Oct. 23] 1 - 3 pm. I`ll be painting in watermedia, probably on Yupo.
On the last day of the exhibit, Nov. 6, I will speak about my work at 3pm.
Hope you can make it!


 If you haven`t seen it, let the Canadians comfort you in this bitter election season. We`re going to be OK but this sure hurts.

 And let David Hockney explain how image making is utterly human. That wonderful Brit, by the way, has spent a big chunk of his career celebrating America.


This week`s masterpiece is by Karl Klingbiel;

                                                    Lester Leaps In by Karl Klingbiel


 Isn`t that rich?! Oh my god, I could look at it the rest of my life! I love this guy!!


 Cat owners, I suspect that`s all of you who read this, are you tired of those plastic scoops breaking when you`re trying to pry up a urine soaked corner in the litter box? After buying dozens throughout my life, I finally had enough. Behold the Dura Scoop!;





$9.99! I could clean up after a lion with this beauty!


work for sale in my studio

Wednesday, April 27, 2016

Shinrin-yoku

                                                        Shinrin-yoku oil on canvas 40x40


 Japanese for forest bathing. The idea that trees and nature can predictably refresh and restore us. It`s a nice concept and a better habit. In my experience, I need to be there awhile, an hour or so. It takes a bath, not a shower, to get really clean.


                                                                   Iris I-pad drawing


 Well I finally took my I-pad outdoors to see if its fancy app and pressure sensitive stylus would be the revolution in plein air painting I hoped for. Yes and no. It requires shade and isn`t real easy to see even then. In sunlight I think it would be impossible much like taking a digital photo in full sun. Why can`t they get this solved, it`s so annoying!
 At dusk I took a folding chair out in the backyard and sat in front of some gorgeous irises and drew. It certainly is fast, my eyes did adjust to so much light on the screen and I once again experienced true pleasure while drawing! This is rare for me, I`m not a patient person. Being able to shade and fill it large areas with color quickly is wonderful. I`m going to take it into a forest soon.


                                                          April Stream oil on canvas 30x40


 An April painting from ten years ago. This is Johnson Creek as it borders the Eastmoreland golf course. Eastmoreland and nearby Reed Canyon were an oasis to me when I lived in a treeless neighborhood of southeast Portland.



Ive been asked to teach a second workshop on Monday July 11 at the Coos Art Museum. I think there are three openings left.


                                                                   Willem de Kooning


Because de Kooning is such a hero of mine, I thought I knew his body of work. But not this one from the 80`s. This is before his paintings became much more minimal as his Alzheimer`s advanced. No surprise his landscape inspired canvases are my favorite. The period bridging the late 50`s-early 60`s is his pinnacle of bold abstract landscape painting. The Whitney museum`s 'Door to the River' is especially breathtaking! There weren`t a lot of them but almost every one is a home run!


                                                      A Tree in Naples by Willem de Kooning

Here he is in his studio;





work for sale in my studio


                                                                          Soon!


                                                                   by David Shrigley

Monday, March 21, 2016

untitled autumn slough

                                                               oil on canvas 50x40


 From a study done in 2011, both are improvisations based on memories of Minto Brown Island. This progressed quickly and I was feeling brilliant. Then came two weeks of tweaks as I tried to reconcile a simple but looming shape with the delicate intricacy of the vegetation. A 'stillness' was what I was after.


At the Clackamas Art Extravaganza I bought another inexpensive new paper made from rocks called Mineral Paper by Yasutomo. I was assured it was tougher than Terraskin but it isn`t. My problem involves the multimedia I usually end up using in a work on paper. Acrylic binds the paper along the edge to my drawing board and when I very carefully try to lift it free, it tears! When that began happening to the painting below, I stopped and got a box cutter and cut the painting out leaving the edge. This is not acceptable but I did like the painting even if it was a little smaller than I intended;


                                Over the Sea 31 11.75x 8.75 watermedia on Mineral Paper


 Loving pure color, pattern and complexity, I was smitten immediately when I discovered the work of the Lebanese painter Huguette Caland. Take a look at the magic she weaves;


                                                                 Huguette Caland


                                                               Huguette Caland


                                                   It`s fun being Huguette Caland!


 No new I pad paintings from me this week but scroll down here and check out Cynthia Wick`s vibrant slideshow.


                                                Father and Son by Cynthia Wick


In case you missed it in the 1970s, here is the incredible chocolate chip recipe from the Diet for a Small Planet Cookbook. One and a half grams of complete protein in each cookie! And they`re delicious!
[notes to the right are for a double batch]


[WW=whole wheat]



My workshop in Coos Bay July 10;





work for sale in my studio

Monday, February 22, 2016

New Work No Titles

                                                                      1. oil on canvas 20x16


                                                                   2. oil on canvas 20x16


 Same old problem, what to title new paintings of familiar subjects?
I`ll get to it later.
Every painting begins with an intention that originates from an experience. How they conclude is more often than not quite different. There is a point in the process where to insist on the 'vision' would sacrifice what is happening before me, the true pleasure of exploration. Forget about the idea that launched it! Funny thing though, it usually circles back around and reclaims the most important part.
 The wetlands in #1 were inspired by the Fanno Creek marshes near where they join the Tualatin River. They`re near my home and I visit a lot in winter. What I love about them is the dense variety. So many textures and colors doubled by the reflections and amplified by the bird sounds! And so inhospitable to anything heavy! Like me as I sink into the mud. When I paint them, I want to layer all the elements into an interconnected teeming whole. So while I may have photos or sketches of particular clumps of grasses and trees, ultimately they may be included or not as I grope toward something serene yet kinetic.
 #2 comes from viewing the autumn color against the bright reflections of clouds on the river. I began by including the wavering reflections of trees and soon realized it was too confusing. In removing them my vividly colored leaves were visually unanchored. So I added chunks of green vegetation with spidery stems linking each mass together. Now it doesn`t exactly look like what I saw, but the buoyancy of that sunny Fall day is there.


 As this election season came to life I thought, this year I`m going to vote from my heart. I`m going to vote for Bernie Sanders. He has walked his talk for decades and his decency is obvious.
I believe politics is the real world enactment of our spiritual values. This is why I`m a Democrat. My Dad explained it very simply, 'Democrats are for the little guy'. This is also in accord with the Christian teachings I was raised with.
So I planned to vote for Bernie in the primary and I hoped his success would keep Hillary humble and honest. I believe it has. Then I read this article claiming a vote for Sanders was a vote for Trump. That`s so provocative! But it made sense and caused me to remember the McGovern campaign I worked on in 1972. That good man was slimed beyond recognition, he never had a chance. The same would happen with Sanders I fear. I`ve decided it`s not worth the risk. President Trump? That is too scary to imagine.


                                                             Miroco Machiko


 I`m crazy about Miroco! She completely turns distinctions between illustration and fine art on their head! She`s bold and playful, inventive and fearless! Such fresh air!







 This photo is so painterly! The color alone is gorgeous and the composition is both stylized and dynamic! 'Dalmatian Pelicans' by Marko Konig



work for sale in my studio


Sunday, January 31, 2016

Understory

                                                             Understory oil on canvas 36x60


 I`ve been locked in mortal combat with this painting the last 10 days. This is the second painting on this canvas and the process made me wonder if it ever got easier? Doesn`t experience count? I`m so sick of it, it will just have to be 'good enough' for now. Elizabeth Gilbert makes the point that perfectionism will make us crazy and that sometimes it`s best just to accept the work when it isn`t our best. Move on to the next good idea. All I wanted was to create an intimate sense of summer. Maybe I did...       No more green for a while!


Unknown works of Richard Diebenkorn have come into view at the Van Doren Waxler Gallery in New York! Look at this beauty;


                                                             Richard Diebenkorn work on paper


 And his sketchbooks were donated by his wife to Cantor Arts Center at Stanford and every single page is online! There is no better way to know what an artist thinks than by perusing their sketchbooks. They are the thing I grab when the house catches fire.


 Good news, bad news. Your spouses were right. There is enough research now to confirm that creative individuals have very high levels of psychopathology. But they also test extremely high for psychological health. It seems that contradiction and paradox are the norm. As if we need to be told! The coexistence of opposites is the engine of creativity.


                                                          Silver Sand oil on canvas 5x5




The Johnstone Financial Advisors give great advice, like good art, drink nice wine, and serve delicious hors d`oeuvres. Come meet them and me this Friday evening Feb. 5, 5-7 pm. The location is on 3rd St. just a block south of A [toward the lake] in downtown Lake Oswego.






work for sale in my studio

Thursday, January 21, 2016

Coastal Creek - winter wetlands

                                                        Coastal Creek oil on canvas 48x36


 Finally something new and big! I wanted a larger version of this. After complaining so much about summer and the overwhelming green, I do this in the dead of winter! I really don`t like being so perverse but there you go.
Those streams pouring off Cascade Head are so pure and undisturbed, I hoped to get a sense of the lush vitality of those summer forests.













 Here are some winter paintings. These 12x9 studies were painted ten years ago and the subject is the dormant wetlands of the Crystal Springs right in the middle of the Reed College campus. The beautiful little canyon thrives due to volunteers and careful stewardship. I spent a lot of time in its cool shade while living in the treeless Brentwood Darlington neighborhood in Portland. Angelita Surmon has also painted a body of work based on the canyon.


 I had never seen the name and I still don`t know how to pronounce it. Whether Diarmuid Kelly was male or female was also a mystery. Then I stumbled on this video.
 A dude, and he can paint like a master!
 I saw the piece below years ago and thought it oddly enigmatic. The figure's hands have a gesture of blessing or surrender and he seems to be lying in a livestock water troff in a convalescence of some sort. What`s going on?


                                                              Diarmuid Kelly


 Here is one of his gorgeous still lives. He even got the fuzz!!


                                                          Diarmuid Kelly-peaches


 In a collaboration with the Lake Oswego Arts Council, the Johnstone Financial Advisors are displaying a dozen of my paintings, the majority of them large. They look better than I`ve ever seen on the deep blue walls. Visit during normal business hours or come say hello at the reception Friday, February 5th.





I just finished Audible.com`s incredible reading of Wallace Stegner`s Angle of Repose. This historical novel of the American West is a rich and thorough examination of a marriage. The narrator, Mark Bramhall, is such a gifted actor, every character is vibrantly believable. It`s a long book that I savored and it helped keep me afloat during the dark December.





work for sale in my studio



Saturday, December 6, 2014

Non Objectives-Coos Art Museum-Big Trees!

                                   oil on cradled panel 12x12

  Although American Abstract Expressionism was an early, exciting discovery, I`ve not done much truly 'non objective' work, painting that has no subject. Aside from portraiture, this is the most difficult painting of all. This may seem counter intuitive, without the constraints of a 'plan', what`s the big deal? sounds like freedom! Well I need some direction most of the time. This usually comes from my experiences outdoors. So my efforts in pure abstraction have been of short duration, but I try from time to time.
  The painting above had two previous incarnations you will see below. Neither were really bad but after a while I realized I didn`t want to look at them. This is my criteria about what can live or die  in my studio. As I get older, what I leave behind is becoming more of a concern. I want my heirs to receive things of beauty and sincerity. If they also have a market value, that would be terrific. So if I don`t want to see them again, it`s time for them to go.
  Many painters would agree there is something deeply satisfying in painting over a previous work. It feels like thrift, revenge and a clever head start. Often something good will happen.
  The untitled painting above captured my attention to the point I can`t stop looking at it. I emailed a photo of it to myself so I could look at it on my cellphone in the bathroom. Vain? of course but this is truly a measure of quality, at least personally.
  How simple, do I want to look at it?









  Here are some abstract painters I`ve discovered recently that I love: Wendy McWilliams who also has a way with words, her titles are inspired! Alexander Kroll is doing strong yet lyrical work and Jeri Ledbetter`s nervous marks on canvas have a raw emotionality I find moving. Check them out.

 I will be having a solo show at the Coos Art Museum July 9 - Sept. 24, 2016!

  Yesterday I was in my old neighborhood in Portland and went for a walk in Laurelhurst Park. This is a place I visited nearly every day for 11 years. It has a dozen or so enormous London Plane Trees I recognized as old friends.
'Trees' doesn`t do them justice, they`re more like 'beings', so magnificent and expressive!









  Baroque music seems especially suited to winter. Here is a piece from Bach`s Cantata #82 that will break your heart. I heard it on NPR a couple of years ago and it stopped me cold. It`s sung by countertenor Andreas Scholl, a dude with all parts intact. Bach`s love of God is absolutely palpable! This is evangelism at its best and most convincing. Scroll down within this link.


  "The person who says it cannot be done should not interrupt the person doing it."

updated work for sale in my studio 



studio oil painting demonstration Dec. 13, 10-11:30. Anyone is welcome!
5373 Lakeview Blvd
Lake Oswego OR
97035